Difference between revisions of "User:Fuutsie"

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=<div><span style="color:#ff0000;">T</span><span style="color:#ff2a00;">h</span><span style="color:#ff5500;">e</span><span style="color:#ff7f00;"> </span><span style="color:#ffaa00;">u</span><span style="color:#ffd400;">n</span><span style="color:#ffff00;">e</span><span style="color:#aaff00;">x</span><span style="color:#55ff00;">t</span><span style="color:#00ff00;">r</span><span style="color:#00ff55;">a</span><span style="color:#00ffaa;">o</span><span style="color:#00ffff;">r</span><span style="color:#00aaff;">d</span><span style="color:#0055ff;">i</span><span style="color:#0000ff;">n</span><span style="color:#2e00ff;">a</span><span style="color:#5d00ff;">r</span><span style="color:#8b00ff;">y</span><span style="color:#b200aa;"> </span><span style="color:#d80055;">r</span><span style="color:#ff0000;">e</span><span style="color:#ff2a00;">s</span><span style="color:#ff5500;">e</span><span style="color:#ff7f00;">a</span><span style="color:#ffaa00;">r</span><span style="color:#ffd400;">c</span><span style="color:#ffff00;">h</span><span style="color:#aaff00;"> </span><span style="color:#55ff00;">a</span><span style="color:#00ff00;">n</span><span style="color:#00ff55;">d</span><span style="color:#00ffaa;"> </span><span style="color:#00ffff;">p</span><span style="color:#00aaff;">r</span><span style="color:#0055ff;">o</span><span style="color:#0000ff;">c</span><span style="color:#2e00ff;">e</span><span style="color:#5d00ff;">s</span><span style="color:#8b00ff;">s</span><span style="color:#b200aa;"> </span><span style="color:#d80055;">o</span><span style="color:#ff0000;">f</span><span style="color:#ff2a00;"> </span><span style="color:#ff5500;">R</span><span style="color:#ff7f00;">i</span><span style="color:#ffaa00;">k</span><span style="color:#ffd400;"> </span><span style="color:#ffff00;">W</span><span style="color:#aaff00;">i</span><span style="color:#55ff00;">j</span><span style="color:#00ff00;">n</span><span style="color:#00ff55;">g</span><span style="color:#00ffaa;">a</span><span style="color:#00ffff;">a</span><span style="color:#00aaff;">r</span><span style="color:#0055ff;">d</span><span style="color:#0000ff;">s</span></div>=
  
 
{| role="presentation" class="wikitable mw-collapsible mw-collapsed"
 
{| role="presentation" class="wikitable mw-collapsible mw-collapsed"
| <strong>What is appropriation about for me?</strong>
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| <strong>Appropriation, the early research</strong>
 
|-
 
|-
|The quickest explanation is repurposing an object/artpiece as is to give it another function or meaning. This can be as simple as turning a table upside down, but can also exist in the way of Pablo Picasso’s “Guitar, Sheet music and Wine glass, where existing pieces come together to form a new work. This way a NEW object is created.
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|
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==Appropriation, the early research==
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The quickest explanation is repurposing an object/artpiece as is to give it another function or meaning. This can be as simple as turning a table upside down, but can also exist in the way of Pablo Picasso’s “Guitar, Sheet music and Wine glass, where existing pieces come together to form a new work. This way a NEW object is created.
  
  
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Everything has to come from somewhere: Linking artists/designers interpretations throughout his life and combining this into a new piece. (David T. Ansted - The stone book of nature) This way everything made, copied or not should be interpreted as a new work. You can’t copy something that doesn’t exist. Take “Ceci n’est pas une pipe” of Ren’e Magritte. In the same way you could perfectly copy an artwork, but the function and meaning change: If you repaint/reproduce Victory Boogie Woogie from Mondriaan, it isn’t about Manhattan or the music on the streets, but more about Piet Mondriaan and the fame behind his name.  
 
Everything has to come from somewhere: Linking artists/designers interpretations throughout his life and combining this into a new piece. (David T. Ansted - The stone book of nature) This way everything made, copied or not should be interpreted as a new work. You can’t copy something that doesn’t exist. Take “Ceci n’est pas une pipe” of Ren’e Magritte. In the same way you could perfectly copy an artwork, but the function and meaning change: If you repaint/reproduce Victory Boogie Woogie from Mondriaan, it isn’t about Manhattan or the music on the streets, but more about Piet Mondriaan and the fame behind his name.  
  
Why do we not like being copied by other people?
 
  
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Some interesting questions I did not go on with for now:
  
Type of person that does it with intention of gaining profit.
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Why do we not like being copied by other people?
The intention of copying
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Does the intention of copying change the ethics of appropriation?
 
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Type of person that does it with intention of gaining profit?
Erkenning: Producent naar copycat gaat ipv de originele maker.
 
 
 
Dwdd dave hakkens
 
  
 
https://www.artspace.com/magazine/art_101/art_market/art_101_appropriation_art-5550
 
https://www.artspace.com/magazine/art_101/art_market/art_101_appropriation_art-5550
Give some artist using appropriation
 
 
 
|}
 
|}
 
  
 
{| role="presentation" class="wikitable mw-collapsible"
 
{| role="presentation" class="wikitable mw-collapsible"
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==Stealing and recreating the work==
 
==Stealing and recreating the work==
  
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This is the part where my digital part came to the assignment. Knowing about the Kinect I desperately tried to get it working from my laptop and tablet, just to find out windows stopped supporting the old kinect in windows 10. This is a shame because now 3D modeling and scanning comes standard with any windows computer. ([http://reconstructme.net/ Reconstruct Me]) Because of this I decided to rent a dslr camera so I could take pictures with full control needed in photogrammetry. [https://www.youtube.com/watch?v=diQAJO4sghQ A good link for how to shoot photos for photogrammetry].
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===Using photoscan===
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Photoscan is amazing since it has all features built right in the program. When doing it for commercial work I recommend a combination of [http://ccwu.me/vsfm/ VisualSFM] and [http://www.meshlab.net/ MeshLab]. This is a free method which can give really good results too, but it is less convenient.
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<gallery mode=packed widths=150px class="center">
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file:photoscan1.jpg|adding/aligning photo's
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file:photoscan2.jpg|generating dense pointcloud
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file:photoscan3.jpg|generating mesh
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file:Crois.jpg|A testrender of the mesh.
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</gallery>
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===Overall process===
  
Since photo reconstruction does not work well with straight objects it would be faster and higher quality to recreate it by modeling by hand.
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Since photo reconstruction does not work well with straight and shiny objects, takes a lot of computing power (time) and since the cabinet did not contain intricate details I wanted to capture I decided to do the modeling by hand using my good time favorite: [https://www.maxon.net/en/ Cinema 4D].
  
 
<gallery mode=packed widths=150px class="center">
 
<gallery mode=packed widths=150px class="center">
 
file:Overpulling.jpg|Tracing
 
file:Overpulling.jpg|Tracing
file:Modeling1.jpg| Extruding & modeling
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file:Modeling1.jpg|Extruding & modeling
file:DroogPrint.jpeg| Preparation
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file:DroogPrint.jpeg|Preparation
file:droogcabprint.jpg| Printing
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file:droogcabprint.jpg|Printing
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file:finaldroog.jpg|Final painted version
 
</gallery>
 
</gallery>
  
 
==Contextualise the object==
 
==Contextualise the object==
  
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I loved the idea of using the drawers of the cabinet as memories, as it was also in the [https://www.moma.org/collection/works/3578 original]. I wanted to focus more on the contents than the storage itself since I wanted to add my interest of audio to this project. Not only did this work because every drawer has its own sound, but it would also add a whole idea to experiment with and a different way to appropriate the original cabinet.
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I am using music and sound in a broad sense, as is seen in [https://youtu.be/46w99bZ3W_M?t=4m31s this video] of Mark Appelbaum.
 
Imagining the closet in different scenario's, finally settling for the concert hall, to help visualizing it as an instrument.
 
Imagining the closet in different scenario's, finally settling for the concert hall, to help visualizing it as an instrument.
  
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</gallery>
 
</gallery>
  
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==Creating the object==
  
==Creating the object==
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Since I had the 3D model I printed the model. I used a filament with wood for this. For the working appropriated model I used wood since it had to be sturdier to endure experimenting. I used common, but also object specific to certain memories of mine. For example I used paperclips to create rattle, but the Opel hubcaps are really specific to the memories of my father.
  
Since I had the 3D model I printed the model. I used a filament with wood for this. For the working appropriated model I used wood since it had to be sturdier to endure experimenting.
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*[https://instaud.io/29T6 Sound 1 Oma]
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*[https://instaud.io/29Te Sound 2 Bomma]
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*[https://instaud.io/29Th Sound 3 Shed]
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*[https://instaud.io/29Ti Sound 4 Pa]
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*[https://instaud.io/29Tj Sound 5 Mam]
  
 
<gallery mode=packed widths=150px class="center">
 
<gallery mode=packed widths=150px class="center">
file:Memories.gif|Original context, Museum
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file:Omala.jpg|Original Drawer of grandma
file:Instrucabinetdiy.jpg| Extruding & modeling
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file:papala.jpg| Drawer of my father
file:Instrucabinet.jpg| Concert Hall
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file:20180510_113940_HDR.jpg| The used drawers during the presentation
file:Instrucabinet2.jpg| Variation
 
 
</gallery>
 
</gallery>
  
|}
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==Conclusion & Future==
  
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One big thing that I forgot to add to the project which would have really changed its power would be to speak the language of the public. My drawers impersonated MY family members and places, which meant that the audience (class and teacher) did not get the story told. I see this as a big mistake as music to me is a way to tell a story. If I saw the cabinet as a way to express myself, not meaning to make the songs public, this would not be a problem, however this is not the case.
  
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Because of this I think my next step is to find a subject to "write" a piece about, keeping in mind the objects, their sounds and composition, which makes it quite a job, but in my opinion an interesting way of writing. Take for example Rimsky Korsakov and his [https://www.youtube.com/watch?v=aYAJopwEYv8 Flight of the Bumblebee] which everyone I know would recognize as a (bumble)bee in flight. (This makes choosing a target audience important.)
  
{| role="presentation" class="wikitable mw-collapsible mw-collapsed"
 
| <strong>Contrafactual Past</strong>
 
|-
 
| [[file:Zittendnaakt1.jpeg|thumbnail|upright|left|alt=Lady peeling green tomato on the Giorno di Risposo|Zittend naakt met appel.]]
 
 
==An italian woman preparing dinner on a hot day.==
 
  
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When there is a piece and a final instrument I can fantasize on how to add to the overall project. For me, a recording wouldn't suffice in reproduction of the musical pieces. This would mean experimenting with ways to play-back preconfigured songs on the cabinet, in the way of old musicboxes/[https://youtu.be/5UpriHcn_xs?t=3m57s orchestrions] that I went to see in the speelklokmuseum. However, I would modernise it with digital techniques to make it substantially more compact.
  
The day the god Fortuna, god of fortune, fate and fertility leaves and makes place for Anteros, god of love and passion, women prepared a festive meal to celebrate the occasion. This day is often referred to as “giorno di riposo”, Literally translated to “Day of rest”. Where usually the locals of Acri (south of Italy) wore fabulous clothing to praise the gods, Anteros was praised by a day of openness and freedom.
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<gallery mode=packed widths=150px class="center">
Since this day was not pinned by a specific date but determined by the harvest of tomatoes it was commonly associated by the refreshing of the soil. To prevent staining the soil with “unnatural” clothing, women and children were not allowed to wear clothes on the fields.
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file:220px-Welteorchestrion1862.jpg|Orchestrion
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file:papala.jpg| Drawer of my father
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</gallery>
  
The end of the harvest was celebrated by a grand meal. Pasto Prandi (Meal of rest) was a dish where green tomatoes were peeled and boiled with spices, and wine.
 
  
This statue is a snapshot of a woman peeling tomatoes in preparation of pasto prandi. It is thought that this was originally made by an artist in Cosenza. Later was found out it was
 
 
|}
 
|}
  
 
{| role="presentation" class="wikitable mw-collapsible mw-collapsed"
 
{| role="presentation" class="wikitable mw-collapsible mw-collapsed"
| <strong>Present/my work</strong>
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| <strong>Contrafactual Past & Speculative future</strong>
 
|-
 
|-
| [[file:Memories.gif|thumbnail|upright|left|alt=You can't lay down your memories|Droog Cabinet]]
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|  
  
==You can't lay down your memories==
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Disclaimer: These little concept stories are a mix of facts and fabrications. Do not see these as original intentions of the author!
  
A cabinet:
 
You are able to put stuff in (taking in), take things out (remembering). In the space between these two actions the cabinet is just there fulfilling its destiny.
 
The opening and closing of the drawers comes paired with a noise: A slam, a wham or just a scraping sound because it is worn out. It is the quality of the memory that defines its sound.
 
This quality is the part that I want to appropriate. The noise, the force, the effort needed to remember and store information, not only in a drawer, but also in the mind.
 
  
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===Contrafactual Past===
  
==But.... how??==
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[[file:Zittendnaakt1.jpeg|thumbnail|upright|left|alt=Lady peeling green tomato on the Giorno di Risposo|Zittend naakt met appel.]]
  
Where the focus on the original object lays at the chaotic cluster of memories, defined by the type of drawer, I want to use the sound made by the drawer to define the memories.
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<strong>Lady peeling green tomato on the Giorno di Risposo</strong>
Since audio is a strong key to remembering life events. Besides that it plays an important part in the storage of cultural heritage.
 
Your heritage defines you. Your memories define you. Because everyone is different, everyone has his own sound, because the memories stored will never be the same as oneother's.
 
  
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The day the god Fortuna, god of fortune, fate and fertility leaves and makes place for Anteros, god of love and passion, women prepared a festive meal to celebrate the occasion. This day is often referred to as “giorno di riposo”, Literally translated to “Day of rest”. Where usually the locals of Acri (south of Italy) wore fabulous clothing to praise the gods, Anteros was praised by a day of openness and freedom.
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Since this day was not pinned by a specific date but determined by the harvest of tomatoes it was commonly associated by the refreshing of the soil. To prevent staining the soil with “unnatural” clothing, women and children were not allowed to wear clothes on the fields.
  
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The end of the harvest was celebrated by a grand meal. Pasto Prandi (Meal of rest) was a dish where green tomatoes were peeled and boiled with spices, and wine.
  
|}
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This statue is a snapshot of a woman peeling tomatoes in preparation of pasto prandi. It is thought that this was originally made by an artist in Cosenza. Later was found out it was a abbreviation of the original work.
  
{| role="presentation" class="wikitable mw-collapsible mw-collapsed"
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===Speculative Future===
| <strong>Speculative Future</strong>
 
|-
 
| [[file:Nr155 Staff.jpg|thumbnail|upright|left|alt=Visualization of example-code 2a|Nr 155 Staff]]
 
  
==Visualization of code example 2a==
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[[file:Nr155 Staff.jpg|thumbnail|upright|left|alt=Visualization of example-code 2a|Nr 155 Staff]]
  
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<strong>Visualization of code example 2a</strong>
  
 
Lines, perspective, all things that we have to consider while programming the virtual world. To keep not only the mind, but also the physical human in contact with the program we make an artificial stage, where the tactile connection correlates with the mental image of the program.  
 
Lines, perspective, all things that we have to consider while programming the virtual world. To keep not only the mind, but also the physical human in contact with the program we make an artificial stage, where the tactile connection correlates with the mental image of the program.  
[[https://www.youtube.com/watch?v=fvu5FxKuqdQ&t=659s VR Crossdimension]]
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[https://www.youtube.com/watch?v=fvu5FxKuqdQ&t=659s VR Crossdimension]
  
 
Combining these parameters makes us able to guide people the right way and happy in their Lifepod: Giving them the feeling of mobility.  
 
Combining these parameters makes us able to guide people the right way and happy in their Lifepod: Giving them the feeling of mobility.  
 
 
 
  
 
With the colors, or, not-colors black and white, we can steer the mind in thinking of human reality. As communicated:  
 
With the colors, or, not-colors black and white, we can steer the mind in thinking of human reality. As communicated:  
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Both these blocks are used for unconscious learning by triggering the optoneurons to provoke activity in certain parts of the brain. This to ensure mental growth is not prohibited in case an opportunity arises.
 
Both these blocks are used for unconscious learning by triggering the optoneurons to provoke activity in certain parts of the brain. This to ensure mental growth is not prohibited in case an opportunity arises.
[[https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2820367/ Optogenetics]]
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[https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2820367/ Optogenetics]
[[http://www.vangla.ee/en/news-and-numbers/example-daily-prison-schedule Schedule]]
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[http://www.vangla.ee/en/news-and-numbers/example-daily-prison-schedule Schedule]
  
 
Keep in mind to strictly use our code as the person will feel confused and/or become aware of the simulation. When this happens serious actions will be taken to prevent this event recurring, and thus disqualifying the responsibles from their position.
 
Keep in mind to strictly use our code as the person will feel confused and/or become aware of the simulation. When this happens serious actions will be taken to prevent this event recurring, and thus disqualifying the responsibles from their position.

Latest revision as of 09:46, 10 May 2018

The unextraordinary research and process of Rik Wijngaards