Difference between revisions of "Fantastic Forgeries"

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==OTTO'S HAMMER==
 
==OTTO'S HAMMER==
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[[file:1071-(ok) large.jpg | 300px|thumb|right|Otto van der Waeyen in Pools kostuum, 1656. Ferdinand Bol]]
  
 
In the introduction assignment [[Introduction | Make from the Museum]] we did some scouting in the Boijmans. In that introduction my eye fell on a work from Ferdinand Bol.  
 
In the introduction assignment [[Introduction | Make from the Museum]] we did some scouting in the Boijmans. In that introduction my eye fell on a work from Ferdinand Bol.  
  
[[file:1071-(ok) large.jpg | 300px|thumb|right|Otto van der Waeyen in Pools kostuum, 1656. Ferdinand Bol]]
+
The underscript was: This painting shows a boy in Polish costume holding a war hammer. On the floor are a shield, a drum, a 'cuirass' or armoured breastplate and a bow and quiver of arrows. In the background are two cannons with accompanying ramrods and wiper. The boy is Otto van der Waeyen, the son of an Amsterdam based weapons trader who had contacts with Poland.
  
Als ik hier tekst plaats, staat hij dan aan de zeikant?
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At first I only saw the letters and the words, just like all the other descriptions of all the work in the Boijmans. But then it came to me. In the year 1600, a dutch weapon trader earned enough with weapon trade to let his son get painted by a master painter.

Revision as of 12:32, 16 September 2014

Authourship & Authenticity Project: Museum Of Fantastic Forgeries

OTTO'S HAMMER

Otto van der Waeyen in Pools kostuum, 1656. Ferdinand Bol

In the introduction assignment Make from the Museum we did some scouting in the Boijmans. In that introduction my eye fell on a work from Ferdinand Bol.

The underscript was: This painting shows a boy in Polish costume holding a war hammer. On the floor are a shield, a drum, a 'cuirass' or armoured breastplate and a bow and quiver of arrows. In the background are two cannons with accompanying ramrods and wiper. The boy is Otto van der Waeyen, the son of an Amsterdam based weapons trader who had contacts with Poland.

At first I only saw the letters and the words, just like all the other descriptions of all the work in the Boijmans. But then it came to me. In the year 1600, a dutch weapon trader earned enough with weapon trade to let his son get painted by a master painter.