Difference between revisions of "User:MarjoleinStassen/Chapter 2"

From DigitalCraft_Wiki
Jump to navigation Jump to search
(Created page with "= '''Chapter 2''' Philosophies of Craft = Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec urna felis, porta ut ex sit amet, auctor pulvinar eros. Interdum et m...")
 
 
Line 1: Line 1:
 
= '''Chapter 2''' Philosophies of Craft =
 
= '''Chapter 2''' Philosophies of Craft =
  
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec urna felis, porta ut ex sit amet, auctor pulvinar eros. Interdum et malesuada fames ac ante ipsum primis in faucibus. Nam vitae erat in mauris finibus mattis. Nam vehicula maximus eleifend. Etiam et elit dolor. Curabitur volutpat sapien sit amet nisi porta posuere. Vivamus ornare nisi metus. Mauris enim mauris, consectetur a sem nec, scelerisque ornare erat. Aenean tincidunt ullamcorper ligula, sed cursus ex porta in. Aliquam lectus justo, dapibus at fringilla sed, tincidunt id nunc. Cras nulla mauris, laoreet quis sodales sit amet, malesuada sed nisi.
+
A craft is often associated with 'traditional', or even a newer, cool approach on 'making things yourself'. The term craft is further complicated by 'art'. Art & Craft are seen as separate. Art tends to mean the truly creative transformation of idea and emotions in visual objects. whist Craft end up indicating the less prestigious production by less creative people. Popular believe suggests the craftsperson does not do the thinking and then moves on to the mechanical act of making: on the contrary, making is a part of thinking. Craft is exploration, a process of 'problem solving and problem finding'.  
  
Suspendisse nec lobortis est. Etiam porta luctus elementum. Ut quis lobortis libero. Suspendisse rutrum vitae ipsum vitae tempor. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos. Morbi porta quam nulla, vel dapibus nisl accumsan ut. Pellentesque condimentum nec lacus sed efficitur. Nullam sed hendrerit libero, nec pharetra erat. Praesent sagittis tellus eleifend elit porttitor consectetur. Phasellus nec porta magna. Phasellus ut hendrerit nunc. Mauris ipsum risus, mollis eget dui et, interdum cursus nisi. Cras sed euismod enim. Suspendisse nec metus eget tellus scelerisque ultricies quis sed justo. Etiam rhoncus dui at elit lacinia condimentum. Sed tempor rhoncus libero et consequat.
 
  
=== Summary ===
+
The essential dimensions of craft:
 +
*The inherit statisfaction of making
 +
*The sense of being alive within the process
 +
*The engagement of ideas, learning and knowledge which do not come before or after but within the practice of making.
  
Pellentesque elit diam, finibus sit amet faucibus ac, condimentum porttitor diam. Duis non gravida velit. Donec elementum dolor eu nulla dignissim pulvinar. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Aenean euismod augue at lacinia porttitor. Praesent eu mollis metus, vitae aliquam sapien. Donec at viverra arcu. Vivamus laoreet purus non faucibus accumsan. Maecenas diam mi, aliquet sit amet nisi vel, tristique semper magna. Aenean porttitor vehicula nibh et pretium.
 
  
Praesent est mauris, pretium eu mollis et, sodales et sem. Donec molestie arcu porttitor sapien auctor, in laoreet quam mattis. Phasellus porttitor venenatis nisl vel commodo. Nam vehicula aliquet leo, sit amet dignissim lectus facilisis eget. Suspendisse euismod arcu varius venenatis sagittis. Nulla euismod ac velit dictum ultricies. Aliquam quis semper mi.
+
Craft is more about creativity and the process of making at a vibrant, grassroots level: proud of it grounded , everyday nature, and not insecurely waiting fro an art world critic, collector or curator. Craft seems to be about a drive to make and share things no matter what anyone says. This comes back in the part about [[http://en.wikipedia.org/wiki/John_Ruskin Ruskin]]; He admires the 'savagery' and 'rudeness' of the Gothic style since he sees it as the loving embrace of humanity's imperfections. The craftspeople who contributed to a gothic building put in thoughtful work, even though it is imperfect. Ruskin therefor welcomes the collaborative mishmash, the combined construction of imperfection, imagination and 'do what you can'. ''"Do what you can, and confess frankly what you are unable to do; neither let your effort be shortened for fear of failure, nor your confession silenced for fear of shame."''
  
=== Conclusion ===
 
  
Nulla in maximus enim. Phasellus tincidunt porttitor erat, nec tempus eros. Sed sagittis leo sit amet rutrum placerat. Nunc sollicitudin purus eu cursus iaculis. Mauris vel consectetur eros, in ultricies nisi. In hac habitasse platea dictumst. Nam vulputate, erat in consectetur placerat, risus lorem luctus ligula, at tristique sapien dolor vitae quam. Praesent pretium nibh ac arcu viverra sodales. Ut vestibulum pellentesque nunc eget fringilla. Phasellus gravida in dolor sit amet sagittis. Nunc auctor, risus nec interdum feugiat, ligula erat dictum arcu, vitae sodales ante ipsum pharetra nunc.
+
So rather than thinking [[http://en.wikipedia.org/wiki/William_Morris William Morris]] was a man who ran a craft business, and who also happened to be a writer of poetry and novels, and who also founded time to produce political critiques and pamphlets, we instead come to the realization that Morris was a man who projected a vision - a vision of great fundamental hope and optimism - through a striking number of different channels. 'Hope' was a keyword in Morris' vocabulary. By 'hope' he meant all that gives worht and continuity to human endeavor, all that makes man's finest aspirations seem possible of achievement in the real world.
 +
 
 +
 
 +
 
 +
=== Highlighted terms ===
 +
 
 +
Craft - Art as Superior - Making is part of thinking - Engagement - Drive - Thoughtful - Environmental - Sustainability - Pleasure in the work itself - Web - Digital - Individualism
 +
 
 +
 
 +
 
 +
=== Questions ===
 +
 
 +
What would Ruskin's political views have anything to do with 'craft'?
 +
 
 +
How did this separation between Art and Craft start? (Industrialism?)
 +
 
 +
 
 +
=== Unknown Words ===
 +
 
 +
*'''Connotations''' - An idea or feeling that a word invokes person in addition to its literal or primary meaning: ''the word "discipline" had unhappy connotations of punishment and repression.''
 +
*'''Curator''' - A keeper or custodian of a museum or other collector.
 +
*'''Endeavor''' - Try hard to do or archive something: ''he is endeavoring to help the third world.''

Latest revision as of 19:23, 14 February 2015

Chapter 2 Philosophies of Craft

A craft is often associated with 'traditional', or even a newer, cool approach on 'making things yourself'. The term craft is further complicated by 'art'. Art & Craft are seen as separate. Art tends to mean the truly creative transformation of idea and emotions in visual objects. whist Craft end up indicating the less prestigious production by less creative people. Popular believe suggests the craftsperson does not do the thinking and then moves on to the mechanical act of making: on the contrary, making is a part of thinking. Craft is exploration, a process of 'problem solving and problem finding'.


The essential dimensions of craft:

  • The inherit statisfaction of making
  • The sense of being alive within the process
  • The engagement of ideas, learning and knowledge which do not come before or after but within the practice of making.


Craft is more about creativity and the process of making at a vibrant, grassroots level: proud of it grounded , everyday nature, and not insecurely waiting fro an art world critic, collector or curator. Craft seems to be about a drive to make and share things no matter what anyone says. This comes back in the part about [Ruskin]; He admires the 'savagery' and 'rudeness' of the Gothic style since he sees it as the loving embrace of humanity's imperfections. The craftspeople who contributed to a gothic building put in thoughtful work, even though it is imperfect. Ruskin therefor welcomes the collaborative mishmash, the combined construction of imperfection, imagination and 'do what you can'. "Do what you can, and confess frankly what you are unable to do; neither let your effort be shortened for fear of failure, nor your confession silenced for fear of shame."


So rather than thinking [William Morris] was a man who ran a craft business, and who also happened to be a writer of poetry and novels, and who also founded time to produce political critiques and pamphlets, we instead come to the realization that Morris was a man who projected a vision - a vision of great fundamental hope and optimism - through a striking number of different channels. 'Hope' was a keyword in Morris' vocabulary. By 'hope' he meant all that gives worht and continuity to human endeavor, all that makes man's finest aspirations seem possible of achievement in the real world.


Highlighted terms

Craft - Art as Superior - Making is part of thinking - Engagement - Drive - Thoughtful - Environmental - Sustainability - Pleasure in the work itself - Web - Digital - Individualism


Questions

What would Ruskin's political views have anything to do with 'craft'?

How did this separation between Art and Craft start? (Industrialism?)


Unknown Words

  • Connotations - An idea or feeling that a word invokes person in addition to its literal or primary meaning: the word "discipline" had unhappy connotations of punishment and repression.
  • Curator - A keeper or custodian of a museum or other collector.
  • Endeavor - Try hard to do or archive something: he is endeavoring to help the third world.