Difference between revisions of "User:Joni.kling"
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I posted this link because I think it's interesting how the developments between two different elements (music and art) are a lot the same and have a connection. And I like the way he thinks about using the new technologies in a different way (see quote). | I posted this link because I think it's interesting how the developments between two different elements (music and art) are a lot the same and have a connection. And I like the way he thinks about using the new technologies in a different way (see quote). | ||
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| + | == //FANTASTIC FORGERIES// == | ||
| + | Object chosen: Long Neck & Groove Bottle by Hella Jongerius - Jongeriuslab | ||
| − | ABOUT HELLA JONGERIUS: | + | '''ABOUT HELLA JONGERIUS:''' |
Born near Utrecht in 1963, Hella Jongerius graduated from the renowned Design Academy at Eindhoven in the early 1990s, working briefly for Droog Design before launching her solo career. | Born near Utrecht in 1963, Hella Jongerius graduated from the renowned Design Academy at Eindhoven in the early 1990s, working briefly for Droog Design before launching her solo career. | ||
'''Today she is one of the most important designers of her generation. Her designs combine new technological achievements with the uniqueness and importance that only handmade historic objects posses'''s: 'I'm trying to make products that can be loved and that people want to own their whole lives to then pass them on to the family.' | '''Today she is one of the most important designers of her generation. Her designs combine new technological achievements with the uniqueness and importance that only handmade historic objects posses'''s: 'I'm trying to make products that can be loved and that people want to own their whole lives to then pass them on to the family.' | ||
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| + | Dutch industrial designer Hella Jongerius says there's '''more to design than simply creating more and more new objects'''. | ||
| + | Jongerius also explained that she enjoyed her role at Vitra as creative director of colours, because it enabled her to use her design skills more sustainably instead of constantly trying to create completely new objects. | ||
| + | "Why make new stuff every year? I don't believe we have to have more stuff," she said. '''"I believe a designer can use her talent to update a collection and also be sustainable.''' Making stuff is just one design solution. | ||
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| + | ''Bronnen | ||
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| + | http://www.jongeriuslab.com/work/long-neck-and-groove-bottles | ||
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| + | http://de.phaidon.com/agenda/design/picture-galleries/2010/october/28/hella-jongerius-misfit/ | ||
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| + | http://www.dezeen.com/2014/08/30/hella-jongerius-book-of-interviews/ | ||
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| + | http://www.dezeen.com/2014/08/30/hella-jongerius-book-of-interviews/'' | ||
Revision as of 16:24, 11 September 2014
http://www.redbullmusicacademy.com/lectures/brian-eno
This is an interview at the Red Bull Academy with Brain Eno about music. In this interview he speaks of music and art in the same sentence, and the way he talks about music and it's new technological developments is very interesting to me. He talks about music and art in our society. How we like to create 'geniuses' and 'hero's' but they never come out of nothing. A lot of people were doing the same things a the time. A lot of artists were inspired by each other.
Quote Brain Eno from the interview:
'you have to find out how to fuck up new technologies to create something new. Because new technologies are created for historical reasons' 'doing things wrong, using stuff how it's not meant to be used has been a really important part of the new development in the art and music scene'.
I posted this link because I think it's interesting how the developments between two different elements (music and art) are a lot the same and have a connection. And I like the way he thinks about using the new technologies in a different way (see quote).
//FANTASTIC FORGERIES//
Object chosen: Long Neck & Groove Bottle by Hella Jongerius - Jongeriuslab
ABOUT HELLA JONGERIUS:
Born near Utrecht in 1963, Hella Jongerius graduated from the renowned Design Academy at Eindhoven in the early 1990s, working briefly for Droog Design before launching her solo career.
Today she is one of the most important designers of her generation. Her designs combine new technological achievements with the uniqueness and importance that only handmade historic objects possess: 'I'm trying to make products that can be loved and that people want to own their whole lives to then pass them on to the family.'
Dutch industrial designer Hella Jongerius says there's more to design than simply creating more and more new objects.
Jongerius also explained that she enjoyed her role at Vitra as creative director of colours, because it enabled her to use her design skills more sustainably instead of constantly trying to create completely new objects.
"Why make new stuff every year? I don't believe we have to have more stuff," she said. "I believe a designer can use her talent to update a collection and also be sustainable. Making stuff is just one design solution.
Bronnen
http://www.jongeriuslab.com/work/long-neck-and-groove-bottles
http://de.phaidon.com/agenda/design/picture-galleries/2010/october/28/hella-jongerius-misfit/
http://www.dezeen.com/2014/08/30/hella-jongerius-book-of-interviews/
http://www.dezeen.com/2014/08/30/hella-jongerius-book-of-interviews/
