DigitalCraftMinor2015

Minor Daily Planning

MONDAY

• WORK!

TUESDAY

• WORK!

WEDNESDAY

• WORK!

THURSDAY

• WORK!

FRIDAY

• WORK!

Museum Of Fantastic Forgeries

Authourship & Authenticity Project: Museum Of Fantastic Forgeries

Theme

Fantastic Forgeries presents alternate histories of Dutch material culture through the research and evaluation of existing artefacts – and their appropriation, transformation and remaking. Fantastic Forgeries uses historical crafted objects as a departure point to reflect on the status and practice of craft in our contemporary society. The objects will be used as tools to examine traditional ways of making as well as a formal, tactile, and decorative inspiration to compare when stretching the boundaries of (artisanal/digital) fabrication.

In this quarter you will explore into the rich past of Dutch material culture though the Applied Arts and Design collection of the museum Boijmans van Beuningen, or pre-industrial collections of your choosing. You will choose an artefact that speaks to you through its form, function, and its surrounding folklore. You will experiment with various and scanning, modelling and production technologies in order to support the crafting of your own perfect copy of your chosen piece. The idea is to make your replica or 'fake' as convincing as possible by reproducing with detail, before breaking it open into a series of iterations that alter the form and content of the artefact. Can new rituals come about by removing the form out of its original context? Can more flamboyant objects arise by imagining and inventing the aristocrats that would use them?

Mentoring/Tutorial Sessions

Date & Time	Classes	TODO
Sept 15	Tools & Tech / Fantastic Forgeries Project Launch
Sept 22	Tools & Tech (morning)/ Practice & Research (afternoon)	Presenting Museum "Heist" and Pitching FF Project
Sept 29	Tools & Tech / Practice
Oct 02	Research (morning)	Defining Personal Craft Comments
Oct 06	Tools & Tech / Practice
Oct 08	Research (morning)	Sign up for time-slot /Structuring 1000 word essay
Oct 13	Tools & Tech / Practice / Research
Oct 27	Tools & Tech	Hand in 1000 word essay
Oct 30	Museum of Fantastic Forgeries (Final Presentation)
Oct 31	Open Day Exhibition

Deliverables

1. A copy of your chosen (pre-industrial) artefact crafted from a different medium;
2. A well-fabricated contemporary transformations based on your chosen artefact;
3. A polished project wiki page;
4. A 1000 word statement defining where your specific 'craft' lies in relation newer technologies (Uploaded to the wiki);
5. An exhibition presentation, research visualisation, and oral presentation.

Written Assignment

+/- 1000 words answering #5. Please use 1-4 to jump start your writing process.

1. What is your craft? (define your discipline, method or approach)
2. What are the tools and media of your craft?
3. What are the borders of this practice? (what new media technologies have arisen / what is its future of the field))
4. Connect to a historical discourse and give concrete examples of contemporary practitioners
5. Define your position of your practice in relation to newer technologies.

Evaluation

The Museum of Fantastic Forgeries presentation is your first integrated assessment and you will receive a final quarter mark for both Research and Practice . You will have 6 minutes to present, and 6 minutes of questions/defence. 2 of your 6 minutes should dedicated towards the (historical) context of your chosen artefact.

In your presentation you are required to:

1. Critically reflect on your process, pointing to the knowledge and skills learned;
2. Connect your projects to practices of both craft and technology;
3. Frame your research and practice based results within the context of the assignment;
4. Defend the relevance and potential of your research and practice based results.

Criteria

1. The student is knowledgeable of the historical context of their project's themes, and has positioned/critically reflected upon new contexts in relation to the minor (i.e. craft, fabrication, authorship, appropriation, experimentation and relation to personal practice/signature).
2. The student has defined a clear, profound, and independent method of research, which is visible in the design/artistic process.
3. The student has a rigorous approach to experimentation, which is visually presented as a coherent process.
4. The student has conceptualised and executed high-level, innovative, and original works.
5. The student has taken advantage of the technical instruction and technologies/tools offered, and has demonstrated a willingness to push their skills further.
6. The student has a motivated choice and proper defence for a specific a technology in their execution of their final assignment.

Tools of The Trade 2015

Tools of the Trade