User:0862093/Joeke Tools Trade 15 16

Develop a personal tool that transforms your craft in a meaningful way. 
This tool needs to be relevant to your personal practice and the bigger context of your craft.

MY CRAFT

The essence of my craft is to investigate the characteristics of materials and to make use of transforming, moving characteristics of a material.
I'm moved and astonished by materials that can't be controlled, that live their own live. That's why I'm interested in Bio Design.
Examples of experiments with moving and natural materials.

HAIRY TOOLS OF THE TRADE CONCEPT

Human as resource.
Seeing ourselves as a resource for materials and production, by using 'trash' from ourselves and our life style as a source for materials to create products from.

Diversity: how can a tool be adapted to the personal characteristics of the human?
Bio: can a tool be adapted to the biological process of the human body, such as the growth cycle of hair?
Waste: Which materials can be used for a valuable product? And where are the limits of what people want to do for their products?

HAIRY RESEARCH

Book: Hair by the Cooper-Hewitt Museum.
'In the history hair design is influenced by religion, superstition, fashion, tradition and is used to
remark rebellion, sacrifice, punishment, age and sexual appeal.

Left image: postcards made with human hair. Right image: jewelry made with human hair:

Fairytales Rumpelstiltskin, about spinning gold from straw, and Rapunzel:

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Hair and wigs as 'ranking':

Mythologies. Venuses' long hair is a sign of virginity.
Arachne, who was a talented weaver and spinner who was turned into a spider:

Hairy bread:
Keurdienst van Waarde

Mika Rottenberg

HAIRY INDIA

Exploring the role of hair in the Indian culture.

The Chudakarana, a baby’s first haircut, takes place to remove the hair from birth that is associated with undesirable traits from past lives.
Traditionally, a Hindu girl never cuts her hair again after this ceremony.

Camel hair art:

The slow process of traditional Indian textile techniques inspired me to connect the slow growth cycle of hair to textiles and thread.

HAIRY SPINNING EXPERIMENTS

Using my 'body trash' as a resource. Everyday I find a lot of hair in my comb, waiting for the trash can.
What if I developed a tool that will transform this into a usable material?

After a tryout to spin a tread from my own hair, I went by the hairdresser to ask for a bag of hair to make more tests.
I discovered that most of the hair was too soft to be spun in a strong thread. So I edited it with grease.

HAIRY FELTING EXPERIMENTS

Combining wool fibers and human hair by felting. Because of the softness of human hair, it needs wool to "stick" to each other.

HAIRY WEAVING EXPERIMENTS

Weaving hair, fixed with hairspray. Made with a self made tool that is adjusted on the length of the hair.

TOOL EXPERIMENT #1 WEAVE COMB

After several experiments with techniques to transform hair in a usable and more valuable material, now focusing on the tool.
A comb and weaving loom in one. Making it possible to harvest your hair and weave it at the same time.

TOOL EXPERIMENT #2 HARVEST COMB

Using the comb as harvest tool, as I collect hair from my own comb and my friends' combs.
In this case, the comb is the source of hair that is removed from the head because of a biological process.

The cycle of hair growth and designs of combs referring to the possibility to ´harvest´ per phase:

TOOL EXPERIMENT #3 HAIRY HARVESTING TOOL KIT

After a talk with Michelle, at the research class of Jon, I was inspired to focus more on the target group of my tool
Who is going to harvest their own hair? And how?

The imaginary target group of my tool is a group of people who do everything to optimize their hair quality, to harvest it.
They are focused on a specific quality of their hair (length, strength, color) and use a tool kit to reach this goal.