Difference between revisions of "User:Floor/week7"
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But it wasn't quite right, the puzzle pieces didn't fall into place yet. It didn't do enough.. | But it wasn't quite right, the puzzle pieces didn't fall into place yet. It didn't do enough.. | ||
| − | So I went back to research, with succes! I came across a photographic printing technique in which one uses the chlorofyl of plants to make light-sensitive paper. I thought this was great. When I did further research into this technique I found that you can also print directly onto leaves! Now I felt like everything was falling into place. The printed leaves have a tender and fragile look about them, I also like that there are no chemicals involved and that I can draw or print anything directly onto a translucent film, which acts as a 'positive' (instead of a negative). This is how it works: you place translucent film with a positive image drawn or printed onto it on top of a leaf and press it into a photo frame. Then you simply place the frame in a sunny spot and let the sunlight 'bleach' the areas that are not protected/covered. (So I guess it's essentially a positive contact print.) | + | So I went back to research, with succes! I came across a photographic printing technique in which one uses the chlorofyl of plants to make light-sensitive paper. These prints are called 'anthotypes'. I thought this was great. When I did further research into this technique I found that you can also print directly onto leaves! Now I felt like everything was falling into place. The printed leaves have a tender and fragile look about them, I also like that there are no chemicals involved and that I can draw or print anything directly onto a translucent film, which acts as a 'positive' (instead of a negative). This is how it works: you place translucent film with a positive image drawn or printed onto it on top of a leaf and press it into a photo frame. Then you simply place the frame in a sunny spot and let the sunlight 'bleach' the areas that are not protected/covered. (So I guess it's essentially a positive contact print.) |
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| + | [[File:Rosemary-Horn-anthotype.jpg | 400px]] [[File: Binh_Danh_Photosynthesis1.jpg | 250px]] [[File: chlorofyl-print.jpg | 285px]] [[File:Dc-notities1.jpg | 285px]] | ||
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I grabbed some different types of leaves from my parents garden, made some drawings on translucent film, pressed them between a frame and placed it in front of my window. | I grabbed some different types of leaves from my parents garden, made some drawings on translucent film, pressed them between a frame and placed it in front of my window. | ||
| − | But of course there is one problem: bright, sunny days are not really something you can count on in The Netherlands.. But I' | + | But of course there is one problem: bright, sunny days are not really something you can count on in The Netherlands.. But I'll see what had happened to the leaves when I came back from Antwerpen next week. |
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| + | ==link to next week== | ||
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| + | [[User:Floor/week8 | WEEK 8]] | ||
Latest revision as of 09:55, 20 April 2016
Artefact sketches and experiments
I started off this week by trying out some of the first brainstorm ideas from last week.
Painting on skin:
Drawing/painting on photos:
But it wasn't quite right, the puzzle pieces didn't fall into place yet. It didn't do enough..
So I went back to research, with succes! I came across a photographic printing technique in which one uses the chlorofyl of plants to make light-sensitive paper. These prints are called 'anthotypes'. I thought this was great. When I did further research into this technique I found that you can also print directly onto leaves! Now I felt like everything was falling into place. The printed leaves have a tender and fragile look about them, I also like that there are no chemicals involved and that I can draw or print anything directly onto a translucent film, which acts as a 'positive' (instead of a negative). This is how it works: you place translucent film with a positive image drawn or printed onto it on top of a leaf and press it into a photo frame. Then you simply place the frame in a sunny spot and let the sunlight 'bleach' the areas that are not protected/covered. (So I guess it's essentially a positive contact print.)
I grabbed some different types of leaves from my parents garden, made some drawings on translucent film, pressed them between a frame and placed it in front of my window.
But of course there is one problem: bright, sunny days are not really something you can count on in The Netherlands.. But I'll see what had happened to the leaves when I came back from Antwerpen next week.
