Difference between revisions of "Michelle & Joeke"
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+ | == Research question == | ||
+ | |||
+ | |||
+ | How can body postures, as a form of non verbal communication, inspire expressing garments? | ||
+ | |||
+ | |||
+ | == Research document == | ||
+ | |||
+ | [[File:Research document booklet.pdf]] | ||
+ | |||
+ | |||
+ | == Research text == | ||
+ | |||
+ | '''1. What is the theme I am investigating? Why is this relevant?''' | ||
+ | |||
+ | Bodylanguage. Bodylanguage is 80% of communication. | ||
+ | |||
+ | |||
+ | '''2. How does this relate to the body, identity, and technology? Defend the relevancy.''' | ||
+ | |||
+ | Because of the upcoming of technologies and social media, we think body language will be a forgotten language. And because 80% of the communication goes non-verbally we want to visualize body language through garments. | ||
+ | You can express yourself throughout your garment. It will be more easy for people to communicate in public instead of everybody hiding in their telephonescreens. Also the clothing will grow along with your identity, giving a whole new dimension to clothing and making it more valuable. | ||
+ | |||
+ | |||
+ | '''3. What is my research question? Why is this relevant?''' | ||
+ | |||
+ | How can body postures, as a form of non verbal communication, inspire expressing garments? | ||
+ | |||
+ | |||
+ | '''4. How am I structuring my research? Why is this relevant?''' | ||
+ | |||
+ | By folding, movement and color we want to create a expressing garment. | ||
+ | We want to investigate what the effect of body language, posture and movement is on the garment. | ||
+ | |||
+ | |||
+ | '''5. What tools or methods could I/will I use to conduct my research? How are these relevant?''' | ||
+ | |||
+ | The human body and it's reaction on emotions/communication. | ||
+ | The product itself. | ||
+ | |||
+ | |||
+ | '''6. What is the foreseen result? Why would this be this relevant?''' | ||
+ | |||
+ | A transforming clothingpiece. You can express yourself throughout your garment. It will be more easy for people to communicate in public instead of everybody hiding in their telephonescreens. Also the clothing will grow along with your identity, giving a whole new dimension to clothing and making it more valuable. | ||
+ | |||
+ | |||
+ | '''7. What is the difference between my foreseen result and my initial experiments? Relevance?''' | ||
+ | |||
+ | We wanted to create a fabric that changes colors, but we realized it didn't respond to movement. So now we are experimenting with folding techniques which changes form and color. | ||
+ | |||
+ | == Prototype == | ||
+ | |||
+ | [[File:Final01.JPG|500px]] | ||
+ | |||
+ | [[File:Final02.JPG|500px]] | ||
+ | |||
+ | [[File:Proto01.jpg|500px]] | ||
+ | |||
+ | [[File:Proto05.jpg|500px]] | ||
+ | |||
+ | Modeling the garment. | ||
+ | |||
+ | [[File:Light01.jpg|250px]] | ||
+ | [[File:Light02.jpg|250px]] | ||
+ | |||
+ | [[File:Light03.jpg|500px]] | ||
+ | |||
+ | RGB Neopixels in combination with a flexsensor. | ||
+ | |||
+ | == Experiments == | ||
+ | |||
+ | [[File:Body01.jpg|250px]] | ||
+ | [[File:Body02.jpg|250px]] | ||
+ | |||
+ | [[File:Body03.jpg|250px]] | ||
+ | [[File:Body04.jpg|250px]] | ||
+ | |||
+ | [[File:Body05.jpg|250px]] | ||
+ | [[File:Body06.jpg|250px]] | ||
+ | |||
+ | [[File:Body07.jpg|250px]] | ||
+ | [[File:Body08.jpg|250px]] | ||
+ | |||
+ | Pictures body language | ||
+ | |||
+ | [[File:Vouw08.gif]] | ||
+ | |||
+ | [[File:Vouw05.jpg|500px]] | ||
+ | |||
+ | [[File:Vouw06.jpg|250px]] | ||
+ | [[File:Vouw07.jpg|250px]] | ||
+ | |||
+ | [[File:Vouw02 gedraaid.JPG|250px]] | ||
+ | [[File:Vouw04.jpeg|250px]] | ||
+ | |||
+ | [[File:Folding04.jpg|250px]] | ||
+ | [[File:Folding05.jpg|250px]] | ||
+ | |||
+ | [[File:Folding06.jpg|250px]] | ||
+ | [[File:Folding07.jpg|250px]] | ||
+ | |||
+ | [[File:Folding01.jpg|250px]] | ||
+ | [[File:Folding03.jpg|250px]] | ||
+ | |||
+ | Movable shapes by folding. | ||
+ | |||
+ | How to make a liquid crystal mood patch | ||
+ | [[https://www.youtube.com/watch?v=-hgEgto1xpY]] | ||
+ | |||
+ | == Body Language & Technologies == | ||
+ | |||
+ | [[File:Lol01.jpg|250px|250px]] | ||
+ | [[File:Lol02.jpg|250px|250px]] | ||
+ | |||
+ | [[File:Lol03.jpg|250px]] | ||
+ | [[File:Lol04.jpg|250px]] | ||
+ | |||
+ | Typing LOL with a straight face. | ||
+ | |||
+ | == Body Language == | ||
+ | |||
+ | [[File:Amy cuddy01.png|500px]] | ||
+ | |||
+ | Speaking to someone who gives no non verbal feedback, according to Amy Cudding this is worst than being hackeld. | ||
+ | |||
+ | [[File:Amy cuddy02.png|250px]] | ||
+ | [[File:Amy cuddy05.png|250px]] | ||
+ | |||
+ | Natural reaction on having high power. | ||
+ | |||
+ | [[File:Amy cuddy04.png|500px]] | ||
+ | |||
+ | Natural reaction on having low power. | ||
+ | |||
+ | [[File:Amy cuddy03.png|500px]] | ||
+ | |||
+ | High and low power. We tend to complement the other's non verbals. | ||
+ | |||
+ | TED Talk about bodylanguage by Amy Cuddy | ||
+ | [[Media:https://www.youtube.com/watch?v=Ks-_Mh1QhMc]] | ||
+ | |||
+ | 41 emotions described in bodylanguage | ||
+ | [[http://referenceforwriters.tumblr.com/post/63548542732/41-emotions-as-expressed-through-body-language]] | ||
+ | |||
+ | Instruction page made in 1991 about how to use body language in emails in the form of smileys. | ||
+ | "The evolving e-mail culture has devised its own form of body language; the only requirement: | ||
+ | you must tilt your head sideways to appreciate the sometimes subtle, always ingenious, | ||
+ | and often outrageous uses of standard keyboard characters to convey what text alone cannot. USE AT YOUR OWN RISK" | ||
+ | [[http://www.ruf.rice.edu/~kemmer/Words/emoticons.html]] | ||
+ | |||
+ | Body language vs. emoticons / Real life vs. virtual life | ||
+ | [[File:body_language_by_moni158-d5a4gnd.png|500px]] | ||
+ | [[File:Images.jpeg|500px]] | ||
+ | |||
+ | == Research projects == | ||
+ | |||
+ | |||
+ | '''Body language''' | ||
+ | |||
+ | [[File:Waibel01.jpg|500px]] | ||
+ | |||
+ | [[File:Waibel03.jpg|500px]] | ||
+ | |||
+ | Unfold by Jule Waibel | ||
+ | |||
+ | |||
+ | [[File:Wood01.jpg|500px]] | ||
+ | |||
+ | [[File:Wood02.jpg|500px]] | ||
+ | |||
+ | SYNCH by Katherine Roberts-Wood | ||
+ | |||
+ | |||
+ | [[File:Maria blaisse01.jpg|500px]] | ||
+ | |||
+ | [[File:Maria blaisse02.jpg|500px]] | ||
+ | |||
+ | [[File:Maria blaisse03.jpg|500px]] | ||
+ | |||
+ | Bamboo by Maria Blaisse | ||
+ | |||
+ | |||
+ | '''Chameleon''' | ||
+ | |||
+ | |||
+ | [[File:Chameleon1.png|500px]] | ||
+ | |||
+ | [[File:Chameleon2.png|500px]] | ||
+ | |||
+ | |||
+ | http://www.youtube.com/watch?v=SpWGfWwRdG4#t=80 | ||
+ | |||
+ | Lenticular Dress by Antoine Peters | ||
+ | |||
+ | |||
+ | [[File:Air dress.jpg|500px]] | ||
+ | |||
+ | Air Dress by See the Unseen | ||
+ | |||
+ | |||
+ | '''Materials''' | ||
+ | |||
+ | |||
+ | [[File:Beautiful chemistry.gif|500px]] | ||
+ | |||
+ | Beautiful Chemistry by Yan Liang | ||
+ | |||
+ | [[Media:https://vimeo.com/shailangen]] | ||
+ | |||
+ | Shai Langen - Artist that experiments with materials on the human body | ||
+ | |||
+ | [[Media:https://vimeo.com/98926717]] | ||
+ | |||
+ | Bart Hess - creates a moving scaly skin made out of spoons | ||
+ | |||
+ | [[File:Portada-starpath.jpg|500px]] | ||
+ | |||
+ | The aggregate material in Starpath, which comes in form of a spray with applied elastomeric coating into which a wide range of mediums can be added. It absorbs and stores energy from ambient light (UV rays) during the day, and releases this energy at night, making the particles glow. The material glows for up to 16 hours after a charge and the particles will last a minimum of 20 years. | ||
+ | |||
+ | |||
+ | '''Body''' | ||
+ | |||
+ | |||
+ | [[File:Anatomy renee verhoeven.jpg|500px]] | ||
+ | |||
+ | 'Anatomy of the hands' by Renee Verhoeven | ||
+ | |||
+ | [[File:Amoeba shamees aden.jpg|500px]] | ||
+ | |||
+ | Amoeba Shoe by Shamees Aden | ||
+ | |||
+ | [[Media:https://vimeo.com/25645598]] | ||
+ | |||
+ | Interactive Dress by Ying Gao | ||
+ | |||
+ | |||
+ | '''Fiction''' | ||
+ | |||
+ | |||
+ | [[File:Pop clones.jpg|500px]] | ||
+ | |||
+ | [[File:Prep your body for space.jpg|500px]] | ||
+ | |||
+ | [[File:Swallowable perfume.png|500px]] | ||
+ | |||
+ | Pop Clones, Prep Your Body For Space and Swallowable Perfume by Lucy McRae | ||
+ | |||
+ | [[File:Screen Shot 2014-10-07 at 14.25.22.png|500px]] | ||
+ | |||
+ | [[Media:https://vimeo.com/42846180]] | ||
+ | |||
+ | Combining textile/clothing with Kinect? Let the fabric tell a story when it is touched |
Latest revision as of 08:31, 13 January 2015
Contents
Research question
How can body postures, as a form of non verbal communication, inspire expressing garments?
Research document
File:Research document booklet.pdf
Research text
1. What is the theme I am investigating? Why is this relevant?
Bodylanguage. Bodylanguage is 80% of communication.
2. How does this relate to the body, identity, and technology? Defend the relevancy.
Because of the upcoming of technologies and social media, we think body language will be a forgotten language. And because 80% of the communication goes non-verbally we want to visualize body language through garments. You can express yourself throughout your garment. It will be more easy for people to communicate in public instead of everybody hiding in their telephonescreens. Also the clothing will grow along with your identity, giving a whole new dimension to clothing and making it more valuable.
3. What is my research question? Why is this relevant?
How can body postures, as a form of non verbal communication, inspire expressing garments?
4. How am I structuring my research? Why is this relevant?
By folding, movement and color we want to create a expressing garment. We want to investigate what the effect of body language, posture and movement is on the garment.
5. What tools or methods could I/will I use to conduct my research? How are these relevant?
The human body and it's reaction on emotions/communication. The product itself.
6. What is the foreseen result? Why would this be this relevant?
A transforming clothingpiece. You can express yourself throughout your garment. It will be more easy for people to communicate in public instead of everybody hiding in their telephonescreens. Also the clothing will grow along with your identity, giving a whole new dimension to clothing and making it more valuable.
7. What is the difference between my foreseen result and my initial experiments? Relevance?
We wanted to create a fabric that changes colors, but we realized it didn't respond to movement. So now we are experimenting with folding techniques which changes form and color.
Prototype
Modeling the garment.
RGB Neopixels in combination with a flexsensor.
Experiments
Pictures body language
Movable shapes by folding.
How to make a liquid crystal mood patch [[1]]
Body Language & Technologies
Typing LOL with a straight face.
Body Language
Speaking to someone who gives no non verbal feedback, according to Amy Cudding this is worst than being hackeld.
Natural reaction on having high power.
Natural reaction on having low power.
High and low power. We tend to complement the other's non verbals.
TED Talk about bodylanguage by Amy Cuddy Media:https://www.youtube.com/watch?v=Ks-_Mh1QhMc
41 emotions described in bodylanguage
[[2]]
Instruction page made in 1991 about how to use body language in emails in the form of smileys.
"The evolving e-mail culture has devised its own form of body language; the only requirement: you must tilt your head sideways to appreciate the sometimes subtle, always ingenious, and often outrageous uses of standard keyboard characters to convey what text alone cannot. USE AT YOUR OWN RISK" [[3]]
Body language vs. emoticons / Real life vs. virtual life
Research projects
Body language
Unfold by Jule Waibel
SYNCH by Katherine Roberts-Wood
Bamboo by Maria Blaisse
Chameleon
http://www.youtube.com/watch?v=SpWGfWwRdG4#t=80
Lenticular Dress by Antoine Peters
Air Dress by See the Unseen
Materials
Beautiful Chemistry by Yan Liang
Media:https://vimeo.com/shailangen
Shai Langen - Artist that experiments with materials on the human body
Media:https://vimeo.com/98926717
Bart Hess - creates a moving scaly skin made out of spoons
The aggregate material in Starpath, which comes in form of a spray with applied elastomeric coating into which a wide range of mediums can be added. It absorbs and stores energy from ambient light (UV rays) during the day, and releases this energy at night, making the particles glow. The material glows for up to 16 hours after a charge and the particles will last a minimum of 20 years.
Body
'Anatomy of the hands' by Renee Verhoeven
Amoeba Shoe by Shamees Aden
Media:https://vimeo.com/25645598
Interactive Dress by Ying Gao
Fiction
Pop Clones, Prep Your Body For Space and Swallowable Perfume by Lucy McRae
Media:https://vimeo.com/42846180
Combining textile/clothing with Kinect? Let the fabric tell a story when it is touched