Difference between revisions of "User:Bart"
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Like the Vitruvian man of Da Vinci we have used a circle as a reference for the perfect proportion. The more the proportions of our subject divert from those specified by Da Vinci, the more distorted the circle becomes. | Like the Vitruvian man of Da Vinci we have used a circle as a reference for the perfect proportion. The more the proportions of our subject divert from those specified by Da Vinci, the more distorted the circle becomes. | ||
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+ | [[File:Vitruviancircle.png]] | ||
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+ | [[File:Vetruvian1.png]] | ||
+ | [[File:Vetruvian2.png]] | ||
+ | [[File:Vetruvian3.png]] | ||
+ | [[File:Vetruvian4.png]] | ||
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+ | '''Presentation: | ||
+ | ''' | ||
+ | [[File:fotopresentation1.jpg]] | ||
+ | [[File:fotopresentation2.jpg]] | ||
+ | [[File:fotopresentation3.jpg]] | ||
+ | [[File:fotopresentation4.jpg]] |
Latest revision as of 13:35, 1 September 2017
Concept: The famous work “L'Uomo Vitruviano” by Renaissance artist Leonardo Da Vinci embodies the ideal human proportions according to rhythm and geometry in analogy to documentations of the ancient Roman architect Marcus Vitruvius, who used human scale as a reference for his constructions. Elaborating on these documentations Da Vinci depicts a man bounded by a square and a circle in which he should fit if his proportions are in harmony with those assumed as the ‘holy ratio’.
Accordingly, the square and the circle became a symbol of the Renaissance and architects based their structures on these mathematic figures and dimensions in search for geometric perfection.
Inspired by this concept we engaged on a study aiming to find a ‘Vitruvian’ among us. By using 3D scanning and performing measurements we’ve collected data, which we then compared to the rhythm and geometry established by Da Vinci.
Palm width equals the width of four fingers
Cubit length equals the width of six palms
Body length equals the length of four cubits
Arm span equals the length of the body
Like the Vitruvian man of Da Vinci we have used a circle as a reference for the perfect proportion. The more the proportions of our subject divert from those specified by Da Vinci, the more distorted the circle becomes.
Presentation: File:Fotopresentation4.jpg