Difference between revisions of "User:Vera/graduation/smart Textiles"

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−
==START==
 
  
  
−
When I was reading 1984 Georges Orwell [[https://en.wikipedia.org/wiki/Nineteen_Eighty-Four]] it become's some artefact in my life.
+
'''Who controls the past controls the future. Who controls the present controls the past.'' - George Orwell'''
−
I creating this world in my head,  the screen as an eye .
 
  
−
The screen is my job as a graphic designer. I work with the sc
 
−
the screen is becoming the social life. the screen become a enemy and friend at the same time. the screen creates the love, the screen make problems,  the screen can creating the true and we believe in it, we humans are some screen addicts. if it grows it will b better.  The screen can also giving fears, the fears of following. We can't go back to screenless idea in this world.
 
−
in the past we did this with typastry, in the future we will doing with? we needed Orwell for this.
 
  
−
i was wondering why the screens go so fast and te e-texsles go so slow. we displaying for many years ore self in some kind of screen, picutere. and texsiles.
 
−
why ist there nog e-tekxile screen? some dymamic texstiles? <br>
 
  
  
 
==RESEARCH==
 
==RESEARCH==
  
−
kan ik een tekstiel beeldschermmaken?
 
  
−
wat wil ik met die kwaliteiten?
+
Intro <br>
 +
In the past four years we learn at general theory the quote of Marshall McLuhan (1964) – "The medium is the message" – and have to learn how he saw the message would transmit and in with case the medium influences the message.<br>
  
−
ganaele langlios - vergeten technologie - weven - tellen - tekstiel en tellen - toeganelijk maken -  
+
After four years of a art academy I learn a lot of my perspective as a graphic designer how to give message in form as ‘it could be everything’ but I never consider to do it in textiles. On some way I always had a weak for textiles. The softness, patroness and colours and the story’s behind it. This weakness for textiles create also a obsession with it. How it is created and the creation behind it. It is a complex system that we forget this days, even when we as a graphic designer work with this for every day. We know how to work with machines, where the typography come’s from to design patrons, posters enz. But skip the part of textile even as non-European art. We as a designer forget the communication part of textiles in this world without language. We started to remember things when we storage in our memory’s, in our heads or in a book, of how computers started with core memory weaving the barring’s into zero’s and one’s. <br>
 +
 
 +
== '''Thermochromic Textiles''' ==
 +
 
 +
The word "thermochromic"  <br>
 +
 
 +
Thermo comes from the Greek word "thermos," which means warm or hot. <br>
 +
Chromic comes from "chroma," meaning color. A thermochromic substance changes color as it changes temperature. <br>
 +
In fabrics, a special dye acts as the thermochromic agent. <br>
 +
 
 +
== '''Dyeing Textiles''' ==
 +
 
 +
Experimenting whit thermochromic pigments and thread.<br>
 +
 
 +
pigments bought at: <br>
 +
This is form America and the tax is quite high, but nice pigments! <br>
 +
and a lot of choices<br>
 +
https://solarcolordust.com/t/ultra-thermal-dust <br><br>
 +
 
 +
for just a experiment I advise to buy it in the UK :<br>
 +
https://www.sfxc.co.uk/ or on Amazon.uk<br><br>
 +
 
 +
Experimenting with binders, textiles and thread<br>
 +
 
 +
''' binders:'''<br>
 +
Textile binder for silkscreening <br>
 +
arabische gom <br>
 +
P-fixer<br>
 +
Achriel verf binder <br>
 +
watercolour binder<br>
 +
azijn <br>
 +
acryl medium<br>
 +
 
 +
'''textiles:'''<br>
 +
Polyerster <br>
 +
nylon <br>
 +
plain cotton<br>
 +
cotton dye wihite<br>
 +
latex<br>
 +
 
 +
'''Thread/yarn:'''<br>
 +
100% cotton + colour withe <br>
 +
100% cotton  + colour grey<br>
 +
60% cotton +  40% acryl <br>
 +
50% cotton +  50% acryl <br>
 +
100% acryl  colour gray <br>
 +
100% acryl <br><br>
  
−
Onderzoek: defenitie van scherm?  5 verschillende denkers - tan guning media fiesoof - vernster naar andere wereld.
 
  
−
wat wil ik laten zien en wat niet?
 
−
bring out als documantaions.
 
  
−
Most important document:<br>
 
−
http://artfordorks.com/pubs/16_CHI_Ebb.pdf<br><br>
 
  
 +
[[File:Pigments 1.jpg|200px]]
 +
[[File:Pigments 2.jpg|200px]]
 +
[[File:Pigments 3.jpg|200px]]
 +
[[File:Pigments 4.jpg|200px]]
  
 +
<br><br>
 +
[[File:Pigments 5.jpg|300px]]
 +
[[File:Pigments 6.jpg|300px]]
 +
[[File:Pigments 7.jpg|300px]]
  
−
context te kiezen invulling: zelf maken krijg ik het voorelkaar.
+
[[File:Verven 2.jpg|300px]]
 +
[[File:Verven 1.jpg|300px]]
  
−
eigewijzen, doorzettingvermogen, nieuweschrierig, neem je me in mijn obsessie.  
+
[[File:Verven 5.jpg|200px]]
 +
[[File:Verven 3.jpg|200px]]
  
  
−
waarom bestaat er geen e-texstle scherm?
+
[[File:Binder 1.jpg|300px]]
−
kan het wel? en hoe dan? wat zijn de beperkingen?
+
[[File:Binder 2.jpg|300px]]
−
waarom is het geeen big businesss? 
+
[[File:Binder 3.jpg|300px]]
−
andere lochica, bescherming. screen saver.
 
  
  
−
je geeft je eigen ideniteit open? schermen gevaarlijk? contorle?
 
−
op ze snelchts zijn? kan leiden een andere logica geven.
 
−
tijdsbewust. camuflage, brittlestar.
 
  
−
andersoord logica voor scherm. tekxstiel dicht bij - scherm veraf.
+
process
−
beeld voelen, eigenwarmte afgeven, eigengevens uitwissen.
 
−
vast houden en los laten. gegevens.
 
  
 +
[[File:Mixing 1.jpg|200px]]
 +
[[File:Mixing 2.jpg|200px]]
 +
[[File:Mixing 3.jpg|200px]]
 +
[[File:Mixing 4.jpg|200px]]
 +
[[File:Mixing 5.jpg|200px]]
 +
[[File:Mixing 7.jpg|200px]]
 +
[[File:Mixing 8.jpg|200px]]
 +
[[File:Mixing 9.jpg|200px]]
 +
[[File:Verven .jpg|200px]]
  
−
moeite met toesenbord - spesefiek
+
== Conductive Thread ==
  
 +
== '''Heating and Weaving Textiles''' ==
  
−
Elk medium iets verloren:
 
  
−
lage regolutie
+
[[File:Pigments 8.1.jpg|200px]]
−
trager
+
[[File:Pigments 8.2.jpg|200px]]
 +
[[File:Pigments 9.1.jpg|200px]]
 +
[[File:Pigments 9.2.jpg|200px]]<br>
 +
[[File:Pigments 10.1.jpg|200px]]
 +
[[File:Pigments 10.2.jpg|200px]]
 +
[[File:Pigments 11.1.jpg|200px]]
 +
[[File:Pigmetns 11.2.jpg|200px]]<br>
 +
[[File:Pigments 12.1.jpg|200px]]
 +
[[File:Pigments 12.2.jpg|200px]]
 +
[[File:Pigmetns13.1.jpg|200px]]
 +
[[File:Pigmetns 13.2.jpg|200px]]
  
−
wasbaar
 
  
−
zacht
 
−
niet breekbaar
 
−
multifucuneel
 
−
niet plat
 
  
 +
[[File:Gray to green.gif|270px]]
 +
[[File:Test thermochromism.gif|500px]]
  
  
  
 +
[[File:Making sampel 1.jpg|200px]]
 +
[[File:Making sample 3.jpg|200px]]
 +
[[File:Making sample 4.jpg|200px]] <br>
 +
[[File:Making sample 5.jpg|200px]]
 +
[[File:Making sample 6.jpg|200px]]
 +
[[File:Making sample 7.jpg|200px]]<br>
  
 +
[[File:Weaving 7.jpg|200px]]
  
 +
[[File:Weaving 3.jpg|300px]]
 +
[[File:Weaving 4.jpg|300px]]
 +
[[File:Weaving 5.jpg|300px]]
 +
[[File:Weaving 6.jpg|300px]]
  
  
 +
[[File:Weaving 9.jpg|300px]]
 +
[[File:Weaving 10.jpg|300px]]
 +
[[File:Weaving 11.jpg|300px]]
 +
[[File:Weaving 14.jpg|300px]]
 +
[[File:Weaving 13.jpg|300px]]
 +
[[File:Weaving 15.jpg|300px]]
 +
[[File:Weaving 16.jpg|300px]]
  
−
== WORKSHOP TU DELFT ==
+
== '''Workshop TU Delft''' ==
  
 
12 april: TU Delft workshop, The screen. <br><br>
 
12 april: TU Delft workshop, The screen. <br><br>
Line 89: Line 161:
 
3: Van welke materialness kan je een beeldscherm maken?<br>
 
3: Van welke materialness kan je een beeldscherm maken?<br>
 
4: Wat zie je als een Mogelijkheid als textile als beeldscherm? <br><br>
 
4: Wat zie je als een Mogelijkheid als textile als beeldscherm? <br><br>
 +
 +
== Related projects==
 +
 +
'''Richard Vijgen'''
 +
http://www.wifitapestry.com/ <br>
 +
 +
[[File:Richardvijgen wifi.jpg|400px]]
 +
 +
WifiTapestry is a dynamic wall hanging that visualises the wireless activity of a space.
 +
The tapestry visualises the ever changing "landscape" of radio frequencies around us.
 +
The invisible signals from Cellphones,
 +
printers and all kinds of smart devices leave an imprint as they try to negotiate available wireless channels.
 +
 +
A controller listens to all traffic across 13 channels of the 2.4GHz WiFi Spectrum.
 +
Whenever data is transmitted on a channel, the controller sends a current to an array of thermal elements embedded in the tapestry,
 +
converting data into heat and activating a thermochromic yarn woven into the tapestry. Like a Shroud of Turin,
 +
streams of data transmitted through a space appear as visual traces from an invisible dimension that gradually form and dissolve.<br><br>
 +
 +
 +
 +
'''Maggie Orth''' http://www.maggieorth.com/art_100EAYears.html<br>
 +
[[File:100EAY orangetomag.jpg|400px]]<br>
 +
The title of 100 Electronic Art Years refers to the ambiguous lifetime of color-change textiles, <br>
 +
and all electronic art. All art fails. All electronic art fails. <br>
 +
The question is how, and with what result?<br><br>
 +
 +
'''Anne-Marie''' http://emeteuz.com/woven-signals/<br>
 +
[[File:Pixles Anne-Marie.jpg|400px]]<br>
 +
Woven Signals aims at fusing new technologies with the fabrication techniques characteristic of traditional textile design to create functional fibers and integrated textiles, specially a woven display.
 +
 +
The textile is woven with a custom-made thermochromic cotton yarn spun with conductive wire. Designed patterns incorporate channels for low-power current. When activated, the generated resistive heat catalyzes the dyed fibers to change color and reveal a hidden, programmatically-controlled content.
 +
 +
Woven Signals is inspired by the mutually informative histories of textiles and communications, and aims to investigate a fiber's ability to transmit information and emotion through visual and tactile interactions.
  
  
 +
 +
[[File:Krakow-full.jpg|400px]]
  
 
==LINKS==
 
==LINKS==
  
 
Most important document:<br>
 
Most important document:<br>
−
http://artfordorks.com/pubs/16_CHI_Ebb.pdf<br><br>
+
http://artfordorks.com/pubs/16_CHI_Ebb.pdf<br>
−
 
+
http://www.marieledendal.se/wp-content/uploads/2016/01/Marie-Ledendal-PhD-thesis_Thermochromic-textiles-and-sunlight-activating-systems_low-res.pdf<br>
 +
http://hb.diva-portal.org/smash/get/diva2:876942/FULLTEXT01.pdf<br>
 +
http://www.diffus.dk/publi-conf/paper_ny.pdf<br>
 +
http://www.xslabs.net/color-change/<br>
  
 
first googleing: <br>
 
first googleing: <br>
Line 131: Line 241:
 
http://www.elektrisola.com/enamelled-wire/enamelled-wire-types/iec/europe.html<br><br>
 
http://www.elektrisola.com/enamelled-wire/enamelled-wire-types/iec/europe.html<br><br>
 
http://www.tibtech.com/smartshop/index.php?id_product=121&controller=product&id_lang=1<br>
 
http://www.tibtech.com/smartshop/index.php?id_product=121&controller=product&id_lang=1<br>
 +
http://jacobs-online.biz/nichrome_wire.htm<br>
 +
 +
 +
sales pigments:
 +
https://prochemicalanddye.net/dyes/dyes-for-wool-silk-nylon-and-other-animal-fibers.html/
 +
https://www.sfxc.co.uk/products/liquid-crystal-inks
  
  
Line 150: Line 266:
 
http://etextilelounge.com/<br><br>
 
http://etextilelounge.com/<br><br>
 
http://www.weavesbywendy.com/honeycomb.html<br>
 
http://www.weavesbywendy.com/honeycomb.html<br>
 +
http://nerding.at/course/101/?p=1281
 +
http://www.marieledendal.se/sv/inlagg/thermochromich-textiles-and-photovoltaics/
 +
https://luxxnatura.wordpress.com/
 +
http://courses.media.mit.edu/2011fall/mass62/index.html%3Fp=354.html
 +
http://www.maggieorth.com/art_100EAYears.html
  
  
  
 
https://www.ellumiglow.com/electroluminescence/vynel
 
https://www.ellumiglow.com/electroluminescence/vynel

Latest revision as of 21:44, 14 May 2018


Who controls the past controls the future. Who controls the present controls the past. - George Orwell



RESEARCH

Intro
In the past four years we learn at general theory the quote of Marshall McLuhan (1964) – "The medium is the message" – and have to learn how he saw the message would transmit and in with case the medium influences the message.

After four years of a art academy I learn a lot of my perspective as a graphic designer how to give message in form as ‘it could be everything’ but I never consider to do it in textiles. On some way I always had a weak for textiles. The softness, patroness and colours and the story’s behind it. This weakness for textiles create also a obsession with it. How it is created and the creation behind it. It is a complex system that we forget this days, even when we as a graphic designer work with this for every day. We know how to work with machines, where the typography come’s from to design patrons, posters enz. But skip the part of textile even as non-European art. We as a designer forget the communication part of textiles in this world without language. We started to remember things when we storage in our memory’s, in our heads or in a book, of how computers started with core memory weaving the barring’s into zero’s and one’s.

Thermochromic Textiles

The word "thermochromic"

Thermo comes from the Greek word "thermos," which means warm or hot.
Chromic comes from "chroma," meaning color. A thermochromic substance changes color as it changes temperature.
In fabrics, a special dye acts as the thermochromic agent.

Dyeing Textiles

Experimenting whit thermochromic pigments and thread.

pigments bought at:
This is form America and the tax is quite high, but nice pigments!
and a lot of choices
https://solarcolordust.com/t/ultra-thermal-dust

for just a experiment I advise to buy it in the UK :
https://www.sfxc.co.uk/ or on Amazon.uk

Experimenting with binders, textiles and thread

binders:
Textile binder for silkscreening
arabische gom
P-fixer
Achriel verf binder
watercolour binder
azijn
acryl medium

textiles:
Polyerster
nylon
plain cotton
cotton dye wihite
latex

Thread/yarn:
100% cotton + colour withe
100% cotton + colour grey
60% cotton + 40% acryl
50% cotton + 50% acryl
100% acryl colour gray
100% acryl



Pigments 1.jpg Pigments 2.jpg Pigments 3.jpg Pigments 4.jpg



Pigments 5.jpg Pigments 6.jpg Pigments 7.jpg

Verven 2.jpg Verven 1.jpg

Verven 5.jpg Verven 3.jpg


Binder 1.jpg Binder 2.jpg Binder 3.jpg


process

Mixing 1.jpg Mixing 2.jpg Mixing 3.jpg Mixing 4.jpg Mixing 5.jpg Mixing 7.jpg Mixing 8.jpg Mixing 9.jpg Verven .jpg

Conductive Thread

Heating and Weaving Textiles

Pigments 8.1.jpg Pigments 8.2.jpg Pigments 9.1.jpg Pigments 9.2.jpg
Pigments 10.1.jpg Pigments 10.2.jpg Pigments 11.1.jpg Pigmetns 11.2.jpg
Pigments 12.1.jpg Pigments 12.2.jpg Pigmetns13.1.jpg Pigmetns 13.2.jpg


Gray to green.gif Test thermochromism.gif


Making sampel 1.jpg Making sample 3.jpg Making sample 4.jpg
Making sample 5.jpg Making sample 6.jpg Making sample 7.jpg

Weaving 7.jpg

Weaving 3.jpg Weaving 4.jpg Weaving 5.jpg Weaving 6.jpg


Weaving 9.jpg Weaving 10.jpg Weaving 11.jpg Weaving 14.jpg Weaving 13.jpg Weaving 15.jpg Weaving 16.jpg

Workshop TU Delft

12 april: TU Delft workshop, The screen.

With:
Jan Berends : werktuigbouwkunde bachelor, Systems and Control
Emiel Jansen : werktuigbouwkunde bachelor, Master Integrated Product Design
Valentijn van der Scheur : werktuigbouwkunde bachelor, Systems and Control
Marijn Leeuwenberg : werktuigbouwkunde bachelor, Systems and Control
Ilse de Cock : Industrieel ontwerp



1: Wat is een beeldscherm?
2: Wat een beeldscherm voor hun betekent?
3: Van welke materialness kan je een beeldscherm maken?
4: Wat zie je als een Mogelijkheid als textile als beeldscherm?

Related projects

Richard Vijgen http://www.wifitapestry.com/

Richardvijgen wifi.jpg

WifiTapestry is a dynamic wall hanging that visualises the wireless activity of a space. The tapestry visualises the ever changing "landscape" of radio frequencies around us. The invisible signals from Cellphones, printers and all kinds of smart devices leave an imprint as they try to negotiate available wireless channels.

A controller listens to all traffic across 13 channels of the 2.4GHz WiFi Spectrum. Whenever data is transmitted on a channel, the controller sends a current to an array of thermal elements embedded in the tapestry, converting data into heat and activating a thermochromic yarn woven into the tapestry. Like a Shroud of Turin, streams of data transmitted through a space appear as visual traces from an invisible dimension that gradually form and dissolve.


Maggie Orth http://www.maggieorth.com/art_100EAYears.html
100EAY orangetomag.jpg
The title of 100 Electronic Art Years refers to the ambiguous lifetime of color-change textiles,
and all electronic art. All art fails. All electronic art fails.
The question is how, and with what result?

Anne-Marie http://emeteuz.com/woven-signals/
Pixles Anne-Marie.jpg
Woven Signals aims at fusing new technologies with the fabrication techniques characteristic of traditional textile design to create functional fibers and integrated textiles, specially a woven display.

The textile is woven with a custom-made thermochromic cotton yarn spun with conductive wire. Designed patterns incorporate channels for low-power current. When activated, the generated resistive heat catalyzes the dyed fibers to change color and reveal a hidden, programmatically-controlled content.

Woven Signals is inspired by the mutually informative histories of textiles and communications, and aims to investigate a fiber's ability to transmit information and emotion through visual and tactile interactions.


Krakow-full.jpg

LINKS

Most important document:
http://artfordorks.com/pubs/16_CHI_Ebb.pdf
http://www.marieledendal.se/wp-content/uploads/2016/01/Marie-Ledendal-PhD-thesis_Thermochromic-textiles-and-sunlight-activating-systems_low-res.pdf
http://hb.diva-portal.org/smash/get/diva2:876942/FULLTEXT01.pdf
http://www.diffus.dk/publi-conf/paper_ny.pdf
http://www.xslabs.net/color-change/

first googleing:
http://infosthetics.com/archives/2006/09/reach_textile_patterns.html
https://vimeo.com/138025527


contacts:
http://v2.nl/lab/blog/beta-textiles
https://www.richardvijgen.nl/#tapestry
http://www.adriaanwormgoor.nl/


inspiration:
http://transmaterial.net/chromosonic/
http://ejtech.cc/
http://etextile-summercamp.org/swatch-exchange/
https://www.richardvijgen.nl/#tapestry
http://www.fiberworks-pcw.com/mac.html
http://fiberarts.org/directories/links/software.html
https://docs.google.com/document/d/1R0k7gYX3Vk06Zw4eOUB2YyAvQC9KuRgtEO3gt5y8sW8/edit?pli=1
http://www.jingwen-zhu.com/blog/dynamic-textiles

conductive thread:
http://www.instructables.com/id/Embroidered-Fabric-Speaker/
Nichrome wires


sales conductive thread:
https://www.bart-francis.be/index.php?item=etextile-en-co&action=page&group_id=128&lang=NL
http://www.elektrisola.com/enamelled-wire/enamelled-wire-types/iec/europe.html

http://www.tibtech.com/smartshop/index.php?id_product=121&controller=product&id_lang=1
http://jacobs-online.biz/nichrome_wire.htm


sales pigments: https://prochemicalanddye.net/dyes/dyes-for-wool-silk-nylon-and-other-animal-fibers.html/ https://www.sfxc.co.uk/products/liquid-crystal-inks




Links:
https://penelope.hypotheses.org/
http://kairotic.org/
https://www.richardvijgen.nl/#tapestry
http://www.gemmamaylatham.co.uk/blog/
http://hb.diva-portal.org/smash/get/diva2:876940/FULLTEXT01
http://kit-of-no-parts.at/?p=734
http://openmaterials.org/category/research/
http://kit-of-no-parts.at/
http://etextile-summercamp.org/swatch-exchange/
http://artfordorks.com/2016/04/ebb/
https://www.instagram.com/savagetextiles/
http://etextile-summercamp.org/swatch-exchange/wp-content/uploads/2014/07/SwatchBookExchange2014_PDF_DS.pdf
http://www.design-research-lab.org/persons/katharina-bredies/
http://etextilelounge.com/

http://www.weavesbywendy.com/honeycomb.html
http://nerding.at/course/101/?p=1281 http://www.marieledendal.se/sv/inlagg/thermochromich-textiles-and-photovoltaics/ https://luxxnatura.wordpress.com/ http://courses.media.mit.edu/2011fall/mass62/index.html%3Fp=354.html http://www.maggieorth.com/art_100EAYears.html


https://www.ellumiglow.com/electroluminescence/vynel

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