Difference between revisions of "User:KvdH/MINOR FINAL PROJECT"
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Open floor plans are easy on the eye, but work less well acoustically. One person wants to listen to music, while the other wants to read. We’ve all been there. What to do? Sanne Gelissen has an answer: ‘Sound Scene’. Instead of allowing sound to spill out and take over the entire room, this device bundles sound waves together, beaming them towards a specific point – like a kind of sound spotlight. Within this audio zone, music can be enjoyed to the max. Step outside, and it quickly fades to a minimum. The same space can be shared without a wall or room divider in sight.''.]] | Open floor plans are easy on the eye, but work less well acoustically. One person wants to listen to music, while the other wants to read. We’ve all been there. What to do? Sanne Gelissen has an answer: ‘Sound Scene’. Instead of allowing sound to spill out and take over the entire room, this device bundles sound waves together, beaming them towards a specific point – like a kind of sound spotlight. Within this audio zone, music can be enjoyed to the max. Step outside, and it quickly fades to a minimum. The same space can be shared without a wall or room divider in sight.''.]] | ||
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| [[File:Sanne_Geelissen.jpeg|thumb|none|alt=| '' | | [[File:Sanne_Geelissen.jpeg|thumb|none|alt=| '' | ||
From gunshots in a canyon to underwater submarine engines, this audio-rich talk explores the role of sound design in modern storytelling. Soundsnap.com founder Tasos Frantzolas looks at a variety of multimedia examples to show the ways that sound designers ‘lie’ in creating the sonic palette of film, television and interactive media. Tasos Frantzolas grew up in Athens and began producing music at the age of 13. After attending SAE London for Audio Engineering, he enjoyed a brief stint in the UK’s music and post-production industries. In 2006, he returned to Greece to found Soundsnap.com, a sound effects and loop library that has since grown to encompass over one million users and become the most popular sound effects destination worldwide.''.]] | From gunshots in a canyon to underwater submarine engines, this audio-rich talk explores the role of sound design in modern storytelling. Soundsnap.com founder Tasos Frantzolas looks at a variety of multimedia examples to show the ways that sound designers ‘lie’ in creating the sonic palette of film, television and interactive media. Tasos Frantzolas grew up in Athens and began producing music at the age of 13. After attending SAE London for Audio Engineering, he enjoyed a brief stint in the UK’s music and post-production industries. In 2006, he returned to Greece to found Soundsnap.com, a sound effects and loop library that has since grown to encompass over one million users and become the most popular sound effects destination worldwide.''.]] | ||
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From gunshots in a canyon to underwater submarine engines, this audio-rich talk explores the role of sound design in modern storytelling. Soundsnap.com founder Tasos Frantzolas looks at a variety of multimedia examples to show the ways that sound designers ‘lie’ in creating the sonic palette of film, television and interactive media. Tasos Frantzolas grew up in Athens and began producing music at the age of 13. After attending SAE London for Audio Engineering, he enjoyed a brief stint in the UK’s music and post-production industries. In 2006, he returned to Greece to found Soundsnap.com, a sound effects and loop library that has since grown to encompass over one million users and become the most popular sound effects destination worldwide.''.]] | From gunshots in a canyon to underwater submarine engines, this audio-rich talk explores the role of sound design in modern storytelling. Soundsnap.com founder Tasos Frantzolas looks at a variety of multimedia examples to show the ways that sound designers ‘lie’ in creating the sonic palette of film, television and interactive media. Tasos Frantzolas grew up in Athens and began producing music at the age of 13. After attending SAE London for Audio Engineering, he enjoyed a brief stint in the UK’s music and post-production industries. In 2006, he returned to Greece to found Soundsnap.com, a sound effects and loop library that has since grown to encompass over one million users and become the most popular sound effects destination worldwide.''.]] | ||
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Revision as of 11:30, 15 November 2016
Question
Research
 SOUND SCENE Open floor plans are easy on the eye, but work less well acoustically. One person wants to listen to music, while the other wants to read. We’ve all been there. What to do? Sanne Gelissen has an answer: ‘Sound Scene’. Instead of allowing sound to spill out and take over the entire room, this device bundles sound waves together, beaming them towards a specific point – like a kind of sound spotlight. Within this audio zone, music can be enjoyed to the max. Step outside, and it quickly fades to a minimum. The same space can be shared without a wall or room divider in sight.. |
From gunshots in a canyon to underwater submarine engines, this audio-rich talk explores the role of sound design in modern storytelling. Soundsnap.com founder Tasos Frantzolas looks at a variety of multimedia examples to show the ways that sound designers ‘lie’ in creating the sonic palette of film, television and interactive media. Tasos Frantzolas grew up in Athens and began producing music at the age of 13. After attending SAE London for Audio Engineering, he enjoyed a brief stint in the UK’s music and post-production industries. In 2006, he returned to Greece to found Soundsnap.com, a sound effects and loop library that has since grown to encompass over one million users and become the most popular sound effects destination worldwide.. |
From gunshots in a canyon to underwater submarine engines, this audio-rich talk explores the role of sound design in modern storytelling. Soundsnap.com founder Tasos Frantzolas looks at a variety of multimedia examples to show the ways that sound designers ‘lie’ in creating the sonic palette of film, television and interactive media. Tasos Frantzolas grew up in Athens and began producing music at the age of 13. After attending SAE London for Audio Engineering, he enjoyed a brief stint in the UK’s music and post-production industries. In 2006, he returned to Greece to found Soundsnap.com, a sound effects and loop library that has since grown to encompass over one million users and become the most popular sound effects destination worldwide..
TED talk about The Beautiful Lies of Sound Design
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