Difference between revisions of "User:Vera/minor/Wall Carpet?"
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[[File:Bayeux Tapestry scene55 William Hastings battlefield.jpg|400px]]<br> | [[File:Bayeux Tapestry scene55 William Hastings battlefield.jpg|400px]]<br> | ||
https://nl.wikipedia.org/wiki/Tapijt_van_Bayeux<br> | https://nl.wikipedia.org/wiki/Tapijt_van_Bayeux<br> | ||
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| + | '''next nature''' | ||
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| + | Modernity tried to whitewash our tribal selves, to erase the vestiges of the savannah in our genome. But like graffiti in a city, our inner caveman is irrepressible. The ancient hominid self springs up unpredictably and in unexpected places. The tribe underlies the most fundamental parts of our identities, but that doesn’t mean it’s easy to pin down. How far have we moved from our small bands of foragers? Digital technologies like social networking sites and cell phones return us to an age of tribal-style social immersion. | ||
Revision as of 10:30, 14 November 2017
Wall Carpet
apisserie de l'Apocalypse of Tenture de l'Apocalypse -1382
File:Tapisserie de l'apocalypse.jpg
https://nl.wikipedia.org/wiki/Wandtapijt_van_de_Apocalyps
Tapijt van Bayeux - 1066
400px
https://nl.wikipedia.org/wiki/Tapijt_van_Bayeux
next nature
Modernity tried to whitewash our tribal selves, to erase the vestiges of the savannah in our genome. But like graffiti in a city, our inner caveman is irrepressible. The ancient hominid self springs up unpredictably and in unexpected places. The tribe underlies the most fundamental parts of our identities, but that doesn’t mean it’s easy to pin down. How far have we moved from our small bands of foragers? Digital technologies like social networking sites and cell phones return us to an age of tribal-style social immersion.
