Difference between revisions of "User:Olivia Evans"
Olivia Evans (talk | contribs) |
Olivia Evans (talk | contribs) |
||
| Line 19: | Line 19: | ||
I returned to the museum once again to 3D scan the object to prepare it for printing, I have placed a screenshot of one of the scans I made, using a total of 29 photographs stitched together. I have created a few scans of the sculpture to prepare it for 3D printing so that I can determine which scan displays the form of the figure best. | I returned to the museum once again to 3D scan the object to prepare it for printing, I have placed a screenshot of one of the scans I made, using a total of 29 photographs stitched together. I have created a few scans of the sculpture to prepare it for 3D printing so that I can determine which scan displays the form of the figure best. | ||
| − | [[File:3dscan2. | + | [[File:3dscan2.png]] |
[[File:3dscan1.jpeg]] | [[File:3dscan1.jpeg]] | ||
Revision as of 18:28, 24 April 2018
DIGITAL CRAFT/ PLAN.
For the practice of Digital craft, I have chosen to focus on the sculpture of ‘Zittend naakt met appel’,(1957-1959) by the artist, Charlotte van Pallandt. The sculpture is made from Bronze and depicts a female form sitting thoughtfully. I have chosen this figure to appropriate as it interests me, so I firstly photographed it in order to document it digitally.
A sketch that I have created of the sculpture that I have chosen to appropriate, I plan to 3D print the sculpture using the 3D printer that is available for use in school.
After documenting it with my camera I plan to 3D print the form of the sculpture, focusing on really capturing the angles of the figure, therefore, appropriating it.
I returned to the museum once again to 3D scan the object to prepare it for printing, I have placed a screenshot of one of the scans I made, using a total of 29 photographs stitched together. I have created a few scans of the sculpture to prepare it for 3D printing so that I can determine which scan displays the form of the figure best.
