Difference between revisions of "Digital Craft Minor 4th Year: Cybernetics"

From DigitalCraft_Wiki
Jump to navigation Jump to search
Line 76: Line 76:
 
===Contact Microphone===
 
===Contact Microphone===
 
===Algorithmic Composition, Synthesis_SuperCollider===
 
===Algorithmic Composition, Synthesis_SuperCollider===
 +
SuperCollider https://supercollider.github.io/<br>
 +
Algorave https://algorave.com/
 
===Ableton, Found sound===
 
===Ableton, Found sound===
 
So I decided to make a composition with Ableton. I was interested in found sound, and decided to use them as the musical source. Nowadays we are living in the age of mechanical reproduction and it somehow changed our perspective on beauty. Whenever I walk down the streets, I hear the noise of construction works such as drills, banging hammers that become repetitive in my head and suddenly become a rhythm and then music. First I did some field recordings and manipulated them in DAW Ableton. I warped, cropped the sound and put audio effects to recreate the sound. During my research on this topic, I drew my inspiration from found sound and Musique Concrete. Pierre Schaeffer is the pioneer of this experimental music. He recorded sound and shaped them to completely different sounds, where listeners cannot identify the origin of the sound. I put the recorded found sounds in the drum rack to use each elements as a percussion sound. I think pattern and repetition are what makes noises and sound into music. I decided to make a drum machine interface where audiences can create their own beat from the found sounds. I can use touchOSC application as a MIDI controller with an iPad. Then I wanted to visualise the patterns and repetition of the beats. I wanted to visualise it as a movement using motors. I thought this way of creating optical kinetic installation would be effective to show the mesmerising effect of the repetition of the patterns.
 
So I decided to make a composition with Ableton. I was interested in found sound, and decided to use them as the musical source. Nowadays we are living in the age of mechanical reproduction and it somehow changed our perspective on beauty. Whenever I walk down the streets, I hear the noise of construction works such as drills, banging hammers that become repetitive in my head and suddenly become a rhythm and then music. First I did some field recordings and manipulated them in DAW Ableton. I warped, cropped the sound and put audio effects to recreate the sound. During my research on this topic, I drew my inspiration from found sound and Musique Concrete. Pierre Schaeffer is the pioneer of this experimental music. He recorded sound and shaped them to completely different sounds, where listeners cannot identify the origin of the sound. I put the recorded found sounds in the drum rack to use each elements as a percussion sound. I think pattern and repetition are what makes noises and sound into music. I decided to make a drum machine interface where audiences can create their own beat from the found sounds. I can use touchOSC application as a MIDI controller with an iPad. Then I wanted to visualise the patterns and repetition of the beats. I wanted to visualise it as a movement using motors. I thought this way of creating optical kinetic installation would be effective to show the mesmerising effect of the repetition of the patterns.

Revision as of 11:54, 10 December 2018

Project 1: Critical Making exercise

Reimagine an existing technology or platform using the provided sets of cards. For this first project, I grouped up with Tutu, Thijs and Naima and we picked three random cards each from different category.

Screen Shot 2018-09-18 at 11.29.12.png Screen Shot 2018-09-18 at 11.29.20.png Screen Shot 2018-09-18 at 11.29.27.png

Inspiration

Our starting point

1480451765596357.jpg


Prototype

Ecdysohotel.jpg

Flybouncer.jpeg

UVglass.jpeg

Gloves.jpg

Antjacket.jpeg

Grasshoppermask.jpg

Insectoverview.jpg


Project 2: Cybernetic Prosthetics

Research

First Testing

IMG 8751.jpg

IMG 8752.jpg IMG 8754.jpg IMG 8757.jpg


Making Prototype

IMG 8770.jpg IMG 8772.jpg

IMG 8782.jpg IMG 8788.jpg

IMG 8783.jpg IMG 8784.jpg


Final Result

Aquatic Acoustic

Video Link : https://vimeo.com/292687674


IMG 8785.jpg

Project 3: From Devices to systems

Cassette recorder to ???

Tapehead 00.jpg
Tapehead 01.jpg Tapehead 02.jpg Tapehead 03.jpg
Tapehead 04.jpg Tapehead 05.jpg
Tapehead 06.jpg Tapehead 07.jpg

Project 4: Cartography of Complex Systems & the Anthropocene

Position Paper_H Jung

Contact Microphone

Algorithmic Composition, Synthesis_SuperCollider

SuperCollider https://supercollider.github.io/
Algorave https://algorave.com/

Ableton, Found sound

So I decided to make a composition with Ableton. I was interested in found sound, and decided to use them as the musical source. Nowadays we are living in the age of mechanical reproduction and it somehow changed our perspective on beauty. Whenever I walk down the streets, I hear the noise of construction works such as drills, banging hammers that become repetitive in my head and suddenly become a rhythm and then music. First I did some field recordings and manipulated them in DAW Ableton. I warped, cropped the sound and put audio effects to recreate the sound. During my research on this topic, I drew my inspiration from found sound and Musique Concrete. Pierre Schaeffer is the pioneer of this experimental music. He recorded sound and shaped them to completely different sounds, where listeners cannot identify the origin of the sound. I put the recorded found sounds in the drum rack to use each elements as a percussion sound. I think pattern and repetition are what makes noises and sound into music. I decided to make a drum machine interface where audiences can create their own beat from the found sounds. I can use touchOSC application as a MIDI controller with an iPad. Then I wanted to visualise the patterns and repetition of the beats. I wanted to visualise it as a movement using motors. I thought this way of creating optical kinetic installation would be effective to show the mesmerising effect of the repetition of the patterns.

OSC

Open Sound Control (OSC) is a protocol for networking sound synthesisers, computers, and other multimedia devices for purposes such as musical performance or show control. OSC's advantages include interoperability, accuracy, flexibility and enhanced organisation and documentation. With the Ableton Connection Kit (https://www.ableton.com/en/packs/connection-kit/), it is easy to control motors, LED, etc via Arduino. However, since I am planning to use 12 servo motors and using a shield for Arduino, the digital outputs have been changed. So Ableton could not read the shield. I asked Mike in interaction station for a help, and he suggested me to send OSC to Processing and connect it to Arduino.


There have been many attempts to combine visual and sound so far. Lots of musicians and performers are combining visual, such as video, light these days. I want to further explore how to combine sound and other visual since visual and spatial effects enhance musical experience.

Reference
Caterina Barbieri
Pierre Schaeffer
Joao Martinho Moura
Paul Prudence


Field Research
Klankvorm @V2
The Rest is Noise: Alva Noto
Instrument Make Play @Worm