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− | “Consumption makes maximum exclusion from the (real, social, historical) world the maximum index of security. It seeks the resolution of tensions – that happiness by default. But it runs up against a contradiction” between the old morality of action and the new values of passive, removed consumption." | + | “Consumption makes maximum exclusion from the (real, social, historical) world the maximum index of security. |
+ | It seeks the resolution of tensions – that happiness by default. But it runs up against a contradiction” between the old morality of action and the new values of passive, removed consumption." | ||
The above quote is from the book “The Consumer Society” written by the French sociologist Jean Baudrillard. Baudrillard criticises the meaning of consumerism in our contemporary time. The quote reflects on our urge to consume played by advertising. | The above quote is from the book “The Consumer Society” written by the French sociologist Jean Baudrillard. Baudrillard criticises the meaning of consumerism in our contemporary time. The quote reflects on our urge to consume played by advertising. |
Revision as of 10:51, 11 October 2016
RESEARCH DOCUMENT
DRAFT
“Consumption makes maximum exclusion from the (real, social, historical) world the maximum index of security. It seeks the resolution of tensions – that happiness by default. But it runs up against a contradiction” between the old morality of action and the new values of passive, removed consumption."
The above quote is from the book “The Consumer Society” written by the French sociologist Jean Baudrillard. Baudrillard criticises the meaning of consumerism in our contemporary time. The quote reflects on our urge to consume played by advertising. We constantly feel the social pressure to update and evolve which leads to more consumption.
I find it fascinating how easily we are influenced by advertising, or as Baudrillard calls them; "strategists of desire”. The product and services that are promised us affect our needs. Most of them are not primary needed but by the creation of a certain desire we start to believe they do. Our lives are filled with rhythms and patterns but we easily adopt new products in our daily life. We think we in control, but the products we use are symbols of our consumption society.
The products that are The imperfections are hidden under a layer of sales talk and are seen as waste, but for me they are the keynote as the characteristics of the product of service. The core for my craft is to show the meaning of the imperfection and why it’s relevant.
To elaborate on this by using my own work. “Translation” and “Collective Memories”, two projects I did over the last year. Both project have something relevants to the topic of my craft. I will explain them briefly.
In my project “Translation”, I explored the function and disfunction of the 3d scanner. I decided to use the consumers versions because I found it important that my project could be employable by a broader audience. The promise of the different scanning tools lays in most cases in the creation of an 3d model that represents an real object/space or person, but in reality the scanners have a lot of flaws and imperfections. Each imperfection is an signature of the tool. In this project I created a chair collection from a desktop chair with three different 3D scanners. These scans where all completely different and the machine became more than a tool, It became the co-creator of my collection. The leaking date became readable and each chair had it’s own characteristics, translating a product of mass production into an unique new form.
In the second project “Collective Memories” lays the focus on mobile photography. We constantly capture our life as prove of our existence and although most photographs don’t leave our phone we spread some on platforms like Instagram. My original idea was to explore the possibilities of making a panorama with Instagram photos from different angles. The Image Merge function of Photoshop became my tool. The result became something different than I foretold, it became an abstract representation of our cultural relation towards our surrounding, with the focus on artefacts.
Although both projects are completely different they have something in common. I started with exploring the tool and by pushing the ways to use them I found the imperfections. Those imperfections lead to new outcomes that were unexpected. They were not created by the knowledge I gained from the features promises but they where found in the unknown.
In my craft I wanted to perfect the way to show imperfections. Show that it’s not only important to know the function of your tool but to find new functions and show why they are relevant.
Baudrillard’s book “The Consumer Society” is from the pre-internet age. Although much has changed since the book came out, became it even more relevant today. The drift to consume and stay up to date became much more intents than ever before dual to our social environment. Our behaviour is analysed, our profiles are shaped an we became the targets of personalised advertising. Our culture promotes itself with an ideology of liberty but in reality we are flies, stuck in a web of advertising an misleading media.
"Television tortured the intellectuals for a long time... it is about time that the intellectuals torture television”
Nam June Paik quote from the 60’s is an example that can be applied to all sorts of new media. The torture became more subtile, hidden in an overload of information streams. With the arisen of new media it becomes important for my craft to