Difference between revisions of "User:Mmvink"
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[[File:500-300BC.jpg|500px|bronzen kralen]] | [[File:500-300BC.jpg|500px|bronzen kralen]] | ||
[[File:Kralenfoto.jpeg|500px|beads]] | [[File:Kralenfoto.jpeg|500px|beads]] | ||
| − | [[File:Baking beans.png| | + | [[File:Baking beans.png|1000px|ceramic baking beans]] |
[[File:Worrybeads.jpg|200px|]] | [[File:Worrybeads.jpg|200px|]] | ||
Revision as of 22:23, 19 December 2014
Maud Mosa Vink
TOOLS OF THE TRADE
Een machine die handwerk imiteert
Creatieve imperfectie volgens Ellen Rutte In tijden van technologische vooruitgang heeft de mens meer behoefte aan authenticiteit
- . in de loop van onze geschiedenis versterken technologische vernieuwingen ons existentiele verlangen naar het niet-volkomene
- . in periodes van drastische technologische vooruitgangzetten creatieve professionals imperfectie in om het publiek te overtuigen van hun oprechtheid
File:Imperfectie is sexy klein.pdf
machinaal handwerk produceren / imiteren
best of both worlds : de ambacht en oprechtheid van het object . de aura . en de productiviteit en efficiëntie van een machine
handwerk is een term die al snel gebruikt wordt omdat het geassocieerd wordt met kwaliteit . aandacht . ambacht . wanneer is iets handwerk en wanneer mag iets handwerk heten? Wanneer ziet iets eruit als handwerk?
KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN . KRALEN .
[Kraal]
100.000 jaar oud . brons . glas . rijkdom . statussymbool . ruilmiddel . boekhouding . versiering .
Waarom maak je kralen? Waarom mogen de kralen niet hetzelfde zijn? Wat doet de imperfectie? Wat mag de imperfectie wel of niet zijn? Wat is een kraal? Waarom wil ik nog meer kralen maken?
Beads were also used for numerous celebratory purposes. Women and men alike adorned their necks, upper arms, wrists, and heads with colorful beaded adornments. Waist beads, however, which date back as early as the 15th century, were a special form of adornment only for women. Its meaning varied from region to region across several African countries. Many women who adopted the practice of wearing weaist beads did so to signify important milestones in life, such as maturity, being ready for marriage, and pregnancy. Baby girls would be given waist beads to indicate their growth and keep track of how much weight they gained. In some areas, multiple waist beads were worn to shape a girl’s body from a young age. Belly beads weren’t only worn to symbolize a woman’s progress in life, but to honor her femininity and sexuality. In many ancient African cultures, such as in Ghana, they were used as what’s present-day called lingerie; meant only for their husband to see. Senegalese women, in particular, heightened their allure with the gently clicking of sweetly perfumed tiny bead strands worn underneath their clothing.
Digital artist Giuseppe Randazzo creates Elaborate Arrays of 3D-Printed Stones
These hyperrealistic stone fields were made with a 3d printer
[[File:Jean-Michel Othonie.jpg|800px|Jean-Michel Othonie]
HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE . HANDMADE VS MACHINE MADE .
Roos Meerman . Aera Fabrica . 3d objecten printen en dan vervormen met een glasblaas techniek, door de verschillende luchtdrukken en behandelingen wordt elk object anders
improvisation machine by Annika Frye Annika Frye
MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS . MACHINE EN MENS .
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Dennis de bel: dit maar dan andersom-om
PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES . PROCES .
Gedachten experiment van Simon Stevin met een kralensnoer in de hoofdrol:
David Bowen Growth modeling device
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RESEARCH DOCUMENT
MY CRAFT
THE DIGITALIZATION OF THE MAKING PROCESS
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OBJECT FANTASIC FORGERIES
chosen object from the boijmans is a headpiece by Shilpa Chavan for her own label Little Shilpa from the spring summer 2014 collection
the site of Little Shilpa: [1]
The 3 most interesting things about this headpiece are: . it's body decoration . it has a cultural origin . it has a symbolic meaning
The designer is from India and uses typical Sari fabrics and classic sari's that she transforms to contemporary designs. She re-use the history of her origin in a modern way. Shilpa is also referring to the old habits and symbolic meaning, like the superstition for having a nose ring on the left side will help by the birth of children.
I tried to fold paper the way the sari fabric is fold and modelled and made a mini headdress from a post-it stap 1, making and forming the shape from wire (iron) stap 2, covering the skelet with paper-mache
After forming the headpiece it's time to get the right texture. For the black edge i'm using indian ink ;-) I bought gold pailletten for the gold band but first a ground layer of email paint because it is so shiny and just normal acrylic paint in a light grey color so the first layer will cover all the contrast of the paper and the second layer will be bright white i'm still in doubt in what way i wanna transfer the plaid print.....
the form is quite well intimidated, but the texture and print are a bit clumsy. it's obvious a home made remake, a craft project, and is not reaching for the level i was searching for. i'm afraid if i start to add the squares, also by hand, its only getting more clumsy. the original object is a museum piece and by remaking it, i want to reach the same level. thats not happening in this way. there are a couple solutions: transfer the print in another way, like mapping / beaming. use paper with the wanted print to cover the object or glue rope on it instead of drawing it. but either way it will not have the same result as in the original. because i formed a 3d object the 2d print is a interference factor. this object asks for a different approach because its not the same. i invest a lot of time in this object and still it is not coming close to what i imagined and hoped. if i can make changes to the final design i will adjust the print or design and find a compromise to still be happy what i'm making. but i feel like because of the copying assignment thats not possible. maybe if the object is one plain color, it emphasizes the form and this object could still be something. But now i'm not sure if it's something i need to go trough with. I'm already thinking of new ways to make a new object. maybe air dry clay of potato flour.....
at the same time i'm busy with my transformation. i want to make a old dutch ear iron. a object that was used to keep the lady's hat in place, first invisible but later on it became a part of the costumes. most of the time a very expensive jewel because it was made out of silver, gold or copper. i want to keep the form of the traditional north dutch version (helmet slash headphone) but change the function.
because there is so much going on around us, all day long, i want to link an action to unplugging for a moment, a moment in the day you want to come back to our own thoughts. by removing the sound a sort of resting is started. like charging by getting uncharged.
i'm forming the ear iron out of copper, in the old fashion way like me and a hammer.
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