User:Idgie

Statement

Wood carving is one of the oldest techniques of humankind, used both to create utilitarian objects and more decorative or symbolic figures. Throughout the last centuries, beautifully intricate patterns have been carved into cabinets, tables, beds and other pieces of wooden furniture. But because it is such a difficult and time-consuming craft, the objects created are often expensive and out of reach for most consumers. My proposal is to adapt the wood carving technique to new industrial machinery - more specifically CNC milling - and also to develop a contemporary style of carving, creating designed objects that combine the best of craft and technology.

I wanted to understand better how hand carving was done and the different styles developed through the last centuries, since I believed the craftsmanship was a good place for looking for inspiration when creating my own pattern. I borrowed two books, one about techniques for carving in different sort of materials and one specifically about wood carving. One interesting thing I read was about how the lighting interferes with how we perceive carved designs, and that many wood carvers replicate in their studios the light from where the work will be placed. I also found many interesting patterns with very different styles:

I found the chip carving style very interesting because even though it has been done for centuries it looks to me very current. All the patterns are derived from triangles and circles and most of the designs are relatively uniform. I also really enjoy working with geometry and basic shapes so it felt like a good source of inspiration.

Fictional Past

Contemporary Projects used as reference

PRE-HISTORIC ALIENS BY GLIMPT

Swedish designers Mattias Rask and Tor Palm of Glimpt traveled to the village of Yungay in Peru to research the techniques used by woodworkers at a workshop run by a voluntary organisation, Artesanos Don Bosco. They designed a range of contemporary tables that make use of the facilities provided to artisans, who are taught furniture-making skills to encourage them to stay and work locally, rather than moving to the cities. For me it was a strong reference of a contemporary style of carving, and also a very tangible way of joining craft and design.

One change I did however was developing a pattern in relief instead or

Re-interpretation

When I chose the cabinet as inspiration, what motivated my choice the most was my fascination for the carving technique. So I formulated the proposal of creating a contemporary carved design, and it was also important to me that the object had some relationship with the cabinet. So when I was researching about carving I realized that it had a lot to do with social meaning and status, that a person who owned that kind of cabinet, that takes maybe years to be crafted, has to possess a lot of richness - cultural and material. And it made me wonder about what kind of things were once inside that cabinet, that they were probably also of value because they were kept in such a special container. So when I translated those thoughts into our contemporary context, I thought about how we use jewelry as symbols of beauty, value and wealth. So I decided to design a jewelry box, which is also a container, as is the cabinet.

Both the box and the lid were sculpted from solid pieces of oak. When in real production I would, however, use a wood bending technique [1] to make the walls of the box, since this creates a way more strong structure than carving from a solid block. Once I had the design ready I wanted to be able to achieve very sharp lines in the patterns, so I consulted with the digital station and we came to three steps. First a roughing path with a flat bit that takes most of the material out.