User:P.vandenberg
PAULA VAN DEN BERG
GEKOZEN OBJECT
Hil Andringa, Witte Kubus Kunststof
25 Maart 1896 - 26 Februari 1985 Beeldhouder Vormgever
WITTE KUBUS
wax
Youtube
wasted 8 hours on this [1]
Lasercutting ice
ICE
Kitty Kraus, Untitled, 2008 Courtesy of The artist and Galerie Neu, Berlin
All Ice Records is a Norwegian independent record company. All Ice Records exclusively releases music played on instruments made from ice
Her series in ice, for instance, begins with a large, frozen block of ink and water and often features a light bulb and cord extending from the centre. The light is turned on, and its heat slowly begins to transform the ominous black block of ice in which it is set. Eventually, what begins as minimal plinth of frozen water becomes an abstract puddle, raising questions about the work’s essential form. It is neither a cube of ice nor an ink-stained floor. Instead the real work is something intangible and impermanent. It is simply the act of creation.
ONDERZOEK KUBUS
Combining Robert Morris’ Box With the Sound of Its Own Making with Baudrillard’s writing on the art auction this sculpture exists in eternal transactional flux. It is a physical sculpture that is perpetually attempting to auction itself on eBay. Every ten minutes the black box pings a server on the internet via the ethernet connection to check if it is for sale on the eBay. If its auction has ended or it has sold, it automatically creates a new auction of itself. If a person buys it on eBay, the current owner is required to send it to the new owner. The new owner must then plug it into ethernet, and the cycle repeats itself.
Holger Lippmann packing BOX 01 is realizes using a packing algorithm to generate different square packing vector files via processing. later on build up of a plywood box of 4 layers 4mm plywood and the laser cutting of each side and the removal of the non clued parts.
32 x 32 x 32 cm, plywood 2012/2013
Thomas Freiler - Graukeil/Grayscale, 3D Rendering, 2009 Een tentoonstelling als experimentele opstelling waarbij de foto geeft informatie over zichzelf en als een verzameling en argumentatie zelf ondervraagd reflecterend . Thomas Freiler benadert het medium aan de ene kant aan de kant van hun wetenschappelijke voorwaarden en instrumentale constructies en ten tweede op het gebied van het gebruik en de context . Foto regelingen en juxtaposities thematiseren elementaire fotografische parameters of fotografische weergave in de analoge en digitale domein , maar ook de voorwaarden en de impact van de ontwikkelingen en standaardisatie van fotografische technieken op concrete beelden. De media is zoals altijd veel op haar beurt in de formulering van de boodschap , en Freiler verder met deze alfabetten van de fotografie , traditionele en nieuwe , hedendaagse beelden uit elkaar
Larry Bell 6x6x4-D,A 1995, four 12mm glass panels coated with nickel-chrome, 6' x 6' x 1/2" Installation: Galerie Montenay, Paris 1995 ‘Visibility depends on the action of the visible bodies on light. Either a body absorbs light, or it reflects or refracts it, or does all these things.’ The Invisible Man, H G Wells (1897)
Evan Roth Gold (Graffiti Analysis Series) Acrylic 28cm x 19cm x 19cm Paris 2011
